New Releases 5/26
Baby Rose makes healing music for the aimless and heartbroken. The Grammy-nominated singer/songwriter and producer’s uniquely rich voice naturally lends itself to her powerful, smoke-filled ballads lamenting lost loves and broken futures. “I make music to help myself get through things,” she says. The piercing honesty and vulnerability she brings to her lyrics in turn helps others process their feelings and find a place of healing. For Rose, it’s a journey that’s still ongoing. “If I’m going to leave anything behind, it’s going to be getting people back to themselves,” she says. “As I get back to myself, it’s a constant reset: Remember who you are, remember who you want to be.”
You can hear the impact of this approach in Baby Rose’s upcoming second album, Through and Through. Take the hypnotic “Fight Club.” Over the track’s simmering baseline and crashing cymbals, she declares, “I don’t need no one else to show me the way.” She describes the song as a “breaking of the shell. It encourages me to just go for it and not care about what anyone else thinks.” Therein lies Baby Rose’s strength: a determination to live, love, and create on her own terms. “I’m not just a singer with a unique voice,” she says. “I’m somebody that has something to say.”
In the years since releasing her last album, To Myself, Rose has been painstakingly piecing together its sequel. Started almost immediately after its release, her new body of work finds her in a state of musical and personal transition. It’s a subtle merging of new sounds—stirring rock, upbeat r&b, psychedelic funk, pop, and soulful ballads—, all mastered through analog tape to make the music feel warmer and all-encompassing. It’s also a journey inward as she battles past fear and self-doubt to finally discover—and love—who she is, where she is. Finishing an album with such peace and firm resolution is a first for Rose, but she makes it clear: She’s nowhere near done writing her story.
Baby Rose makes healing music for the aimless and heartbroken. The Grammy-nominated singer/songwriter and producer’s uniquely rich voice naturally lends itself to her powerful, smoke-filled ballads lamenting lost loves and broken futures. “I make music to help myself get through things,” she says. The piercing honesty and vulnerability she brings to her lyrics in turn helps others process their feelings and find a place of healing. For Rose, it’s a journey that’s still ongoing. “If I’m going to leave anything behind, it’s going to be getting people back to themselves,” she says. “As I get back to myself, it’s a constant reset: Remember who you are, remember who you want to be.”
You can hear the impact of this approach in Baby Rose’s upcoming second album, Through and Through. Take the hypnotic “Fight Club.” Over the track’s simmering baseline and crashing cymbals, she declares, “I don’t need no one else to show me the way.” She describes the song as a “breaking of the shell. It encourages me to just go for it and not care about what anyone else thinks.” Therein lies Baby Rose’s strength: a determination to live, love, and create on her own terms. “I’m not just a singer with a unique voice,” she says. “I’m somebody that has something to say.”
In the years since releasing her last album, To Myself, Rose has been painstakingly piecing together its sequel. Started almost immediately after its release, her new body of work finds her in a state of musical and personal transition. It’s a subtle merging of new sounds—stirring rock, upbeat r&b, psychedelic funk, pop, and soulful ballads—, all mastered through analog tape to make the music feel warmer and all-encompassing. It’s also a journey inward as she battles past fear and self-doubt to finally discover—and love—who she is, where she is. Finishing an album with such peace and firm resolution is a first for Rose, but she makes it clear: She’s nowhere near done writing her story.
What you have right here is rockabilly royalty. They’re global allstars who swing like a gate. They make the finest, finger poppin’ grooves to shake your local juke joint since the glory days of fenders and fins. The Barnestormers a rockabilly supergroup featuring Jimmy Barnes, Jools Holland, Chris Cheney, Slim Jim Phantom and Kevin Shirley release their self titled album
In early 2022, Black Country, New Road released their UK #3 and Billboard #9 (Vinyl Albums) album “Ants From Up There” (their second Top 5 UK album debut in 12 months, following their A2IM Libera Award nominated “For the first time”), which was lauded by fans and critics alike, spending 6 weeks in the Top 10 of the NACC Top 200, gaining numerous 5* reviews and appearing on end of year lists across the globe, including being voted #1 by fans on r/indieheads, Rate Your Music and #3 by Pitchfork readers.Fresh from the success of “Ants From Up There” and with a full touring schedule ahead of them in 2023, the now six-piece band decided to write an entire new set of material to perform. They played to swelling crowds at festivals, including triumphant performances at Primavera, Green Man and Fuji Rock, entering a new musical phase as they navigated and developed songs that were just weeks old. They also toured the US with black midi and headlined two shows at Bowery Ballroom in New York, the first of which sold out in under 5 minutes. Their US tour was covered Pitchfork, Stereogum, Paste, and more.The band garnered widespread support for this new material across the board with Rolling Stone UK describing their Green Man set as "unmissable", and the Guardian going on to say that they were "greeted by something close to rapture." These performances have also attracted a profile from the New York Times, multiple glowing live reviews, and a nomination for Best Live Performer at the AIM Independent Music Awards last year.
Deluxe 20th Anniversary Edition 3xLP of Calexico's acclaimed 2003 album Feast of Wire on 180 gram vinyl. The original album has been fully remastered, includes the band's popular cover of Love's Alone Again Or. This limited triple LP edition includes the unreleased live recording of Calexico's 2003 performance at the China Theatre in Stockholm, Sweden, and titled More Cowboys in Sweden (Live).