'the record' is the debut full-length album from boygenius. The LP is pressed on black vinyl and features gatefold packaging, a temporary tattoo, and 24-page zine.

Wilco’s thirteenth studio album, Cousin, was recorded in the band’s legendary Chicago studio – The Loft – over a period of two years. The ten new tracks are written by band leader Jeff Tweedy and feature musical performances by the longtime lineup of Nels Cline, Mikael Jorgensen, Glenn Kotche, John Stirratt, Pat Sansone and, of course, Tweedy on lead vocals.

After a short detour back into their country-influenced roots via last year’s Cruel Country double album, Cousin sees Wilco back in their more familiar progressive and experimental rock territory. Tweedy’s singular songwriting voice is in full evidence, with lyrics weaving across a variety of topics – from the iconoclastic to the introspective.

Adding a unique and new element to the recording process was the attachment of Welsh singer/songwriter Cate Le Bon as producer – the first time an outsider has been actively involved in a Wilco recording session for more than ten years, since Yankee Hotel Foxtrot. Le Bon brought her unique musical perspective to the band’s trademark sound and provided them with an inspiring new challenge to push their musical boundaries.

Goodnight, God Bless, I Love U, Delete. presents an enchanting blend of personal reflections and diverse ideas, offering a glimpse into the captivating creative journey of Chino Moreno and Shaun Lopez as ††† (Crosses). Throughout the album, they skillfully craft immersive soundscapes that evoke a profound sense of emotion and empathy, a testament to their close-knit collaboration and enduring friendship over decades. Moreno and Lopez embrace atmospheric electronic textures, adorned with both intricate and minimalistic arrangements, all amplified by Moreno’s mesmerizing vocals. The result is a tour de force which boasts features from EL-P and Robert Smith adding even more depth and richness to the music. The themes explored in Goodnight, God Bless, I Love U, Delete. oscillate between optimism and dark romanticism, showcasing the duo's ability to traverse contrasting emotions and eclectic musical styles delivering a truly magnificent body of work.

Daisy Jones & The Six Amazon Prime Marquee Television Series based on the book, “Daisy Jones & The Six”.

Produced by Lauren & Scott Neustadter with Hello Sunshine (Reese Witherspoon’s Production Company).

The “Daisy Jones & The Six” Show Cast includes, Sebastian Chacon, Reiley Keough, Sam Claflin, Suki Waterhouse, Camila Morrone, Josh Whitehouse, Nabiyah Be, Will Harrison, and Ayesha Harris.

Stephen Marley is one of the most respected artists in reggae and pop, with eight GRAMMY® Awards from his career as a solo artist, as a producer and as a member of his family band, Ziggy Marley & The Melody Makers.

His brand-new album, Old Soul, is his fifth, and is releasing on UMe in partnership with the Marley Family, Tuff Gong and Ghetto Youth International. It’s Stephen stretching himself as a singer and songwriter, bringing along some special guests in a wide range of material beyond the reggae category.

Among its 14 tracks is the title song, released as a single on Stephen’s fortuitous birthday, 4/20 – which also got a lyric video on Father’s Day Weekend – plus “Winding Roads,” a collaboration with Jack Johnson and the Grateful Dead’s Bob Weir; a new version of his father’s song, “I Shot the Sheriff,” with Eric Clapton, who made the song globally famous, on guitar; two songs with his brothers; and unique covers of the traditional pop songs, “Georgia On My Mind” and “These Foolish Things,” both transformed into modern ska singalongs.

Dave Matthews Band’s 10^th studio album, Walk Around the Moon, took shape during the pandemic and is as much a reflection on the current times as it is an urge to find common ground. Walk Around the Moon will be released to coincide with the start of the band’s 2023 summer tour.  

A Jason Isbell record always lands like a decoder ring in the ears and hearts of his audience, a soundtrack to his world and magically to theirs, too. Weathervanes carries the same revelatory power. This is a storyteller at the peak of his craft, observing his fellow wanderers, looking inside and trying to understand, reducing a universe to four minutes. He shrinks life small enough to name the fear and then strip it away, helping his listeners make sense of how two plus two stops equaling four once you reach a certain age -- and carry a certain amount of scars.

“There is something about boundaries on this record,” Isbell says. “As you mature, you still attempt to keep the ability to love somebody fully and completely while you’re growing into an adult and learning how to love yourself.”

Weathervanes is a collection of grown-up songs: Songs about adult love, about change, about the danger of nostalgia and the interrogation of myths, about cruelty and regret and redemption. Life and death songs played for and by grown ass people. Some will make you cry alone in your car and others will make you sing along with thousands of strangers in a big summer pavilion, united in the great miracle of being alive. The record features the rolling thunder of Isbell’s fearsome 400 Unit, who’ve earned a place in the rock ‘n’ roll cosmos alongside the greatest backing ensembles, as powerful and essential to the storytelling as The E Street Band or the Wailers.

They make a big noise, as Isbell puts it, and he feels so comfortable letting them be a main prism through which much of the world hears his art. He can be private but with them behind him he transforms, and there is a version of himself that can only exist in their presence. When he plays a solo show, he is in charge of the entire complicated juggle. On stage with the 400 Unit, he can be a guitar hero when he wants, and a conductor when he wants, and a smiling fan of the majesty of his bandmates when he wants to hang back and listen to the sound.

72 seasons. The first 18 years of our lives that form our true or false selves. The concept that we were told ‘who we are’ by our parents. A possible pigeonholing around what kind of personality we are. I think the most interesting part of this is the continued study of those core beliefs and how it affects our perception of the world today. Much of our adult experience is reenactment or reaction to these childhood experiences. Prisoners of childhood or breaking free of those bondages we carry.”

-James Hetfield

EXTREME return in 2023 with “SIX”, their first album of new music in 15 years. The multi-million selling hard-rockers present 12 tracks ranging from funk-tinged bangers to soaring ballads as only EXTREME can deliver. Spearheaded by the songwriting team of vocalist Gary Cherone and guitarist Nuno Bettencourt (who blessed the world with chart-toppers like “More Than Words” and “Hole Hearted”), “SIX” is an essential addition to EXTREME’s discography. The album opener and first single “RISE” will immediately fire up legions of anxious fans with its signature riff. Elsewhere, “OTHER SIDE OF THE RAINBOW” showcases EXTREME’s gift for passionate acoustic magic. EXTREME are back with “SIX” – everything the fans have been waiting for.

Avenged Sevenfold’s new album, Life Is But A Dream is a timeless work of art that blurs genres. Best served as a whole and consumed en masse to truly appreciate its musical breadth and sonic depth, it marks their boldest statement and most revolutionary work to date. Written and recorded over the span of 4 years, it was produced by Joe Barresi and Avenged Sevenfold in Los Angeles and mixed by Andy Wallace in the Poconos, PA. Inspired by Albert Camus’ The Stranger, the album is a journey through an existential crisis; a very personal exploration into the meaning, purpose and value of human existence with the anxiety of death always looming. Immerse into this experience…

More than 20 years in the making, this December finally sees the release of i/o, Peter Gabriel’s first album of new material since 2002’s Up. During 2023, Peter has been releasing a new song from the album on the occasion of every full moon. Being revealed roughly every four weeks, each track has been allowed to find its own time and space, to enjoy its own orbit. “It’s a little like getting a Lego piece each month,” Peter explains. Now it’s time to stand back and admire the final, completed creation. And what a creation – 12 tracks of grace, gravity and great beauty that provide welcome confirmation of not only Peter’s ongoing ability to write stop-you-in-your-tracks songs but also of that thrilling voice, still perfectly, delightfully intact. Throughout the album the intelligent and thoughtful – often thought-provoking – songs tackle life and the universe. Our connection to the world around us – ‘I’m just a part of everything’ Peter sings on title track i/o – is a recurring motif, but so too the passing of time, mortality and grief, alongside such themes as injustice, surveillance and the roots of terrorism. But this is not a solemn record. While reflective, the mood is never despondent; i/o is musically adventurous, often joyous and ultimately full of hope, topped off as it is, by the rousingly optimistic closing song, Live and Let Live.  Always looking to push the boundaries, i/o is not simply a collection of a dozen songs. All 12 tracks are subject to two stereo mixes: the Bright-Side Mix, handled by Mark ‘Spike’ Stent, and the Dark-Side Mix, as reshaped by Tchad Blake. “We have two of the greatest mixers in the world in Tchad and Spike and they definitely bring different characters to the songs. Tchad is very much a sculptor building a journey with sound and drama, Spike loves sound and assembling these pictures, so he’s more of a painter.” Peter has also invited a range of visual artists to contribute a piece of art to accompany each track. The dozen artists make an exceedingly impressive team of collaborators: Ai Weiwei, Nick Cave, Olafur Eliasson, Henry Hudson, Annette Messager, Antony Micallef, David Moreno, Cornelia Parker, Megan Rooney, Tim Shaw, David Spriggs and Barthélémy Toguo. Having handpicked the artists, Peter recognises that “They have the same obsessive attention to their visual work that we musicians have in sound.”

Paramore are back with their first new music since 2017. The beloved Nashville-based trio of Zac Farro, Hayley Williams& Taylor Yorkhave returned from their hiatus -and the global pandemic -with “This Is Why”, one of the best songs of their already impressive repertoire. In what’s widely recognized as one of the most exciting musical returns of the year, the band have also announced the release of their long awaited sixth studio album, This is Why, for February 10th 2023. Recorded in Los Angeles, California with long-time collaborator Carlos de la Garza, the album features 10 new Paramore songs with cover art shot by Zachary Gray.

Entering back into a world -and cultural landscape -very different from the one they last participated in, Paramore have returned with a song about exactly that. “This Is Why” is a deliciously infectious Paramore ear-worm for the post-truth world. Of the song, Williams says, “This Is Why was the very last song we wrote for the album. To be honest, I was so tired of writing lyrics but Taylor convinced Zac and I both that we should work on this last idea. What came out of it was the title track for the whole album. It summarizes the plethora of ridiculous emotions, the rollercoaster of being alive in 2022, having survived even just the last 3 or 4 years. You’d think after a global pandemic of fucking biblical proportions and the impending doom of a dying planet, that humans would have found it deep within themselves to be kinder or more empathetic or something.”

When Paramore revealed they were recording together in January 2022 the response from music fans around the world was immediate and celebratory. In the time since the Grammy-winning, RIAA-certified multi-Platinum band released their last album, After Laughter-and Hayley Williams unveiled two lauded solo albums -Paramore have become more popular than ever.  Over the last few years Paramore’s influence and popularity has snowballed, as the age of streaming organically propelled them into a position as one of the world’s biggest, most culturally compelling rock bands. For the band, who formed as teenagers in Tennessee, their 20 year trajectory has seen them grow from youthful outsiders to bone-fide pop culture icons, permeating the musical landscape by inspiring a new generation of musical talent.

Since announcing their arrival with debut album in 1991, Blur went on to revolutionise the sound of English popular music with six successive UK #1 albums and a string of Top 10 singles, including two No 1s, helping to propel the band to mass popularity at home and abroad. One of the biggest British bands of the last three decades, Blur have released eight studio albums and collected ten NME Awards, six Q Awards, five BRIT Awards and an Ivor Novello Award, and played live to millions of devoted fans across the globe.

Whilst they are an iconic band, the new music truly feels like they have re-invented their sound for 2023 and we should really amplify the commercial viability and youthful leaning sound to reach new audiences.

The album is truly incredible body of work which is beautifully layered, with real stand-out singles which is understandably described by the band as one of their best creations.

Over the course of his career, Sufjan Stevens has blurred distinctions between the major and the minor, between the details that color our existence and the big events that frame our lives. He has turned historical footnotes of States into kaleidoscopic pop, and rendered the immeasurable grief of loss with intimacy and grace.

His new album Javelin—Sufjan’s first solo album of songs since 2020’s The Ascension and his first in full solo singer-songwriter mode since 2015’s Carrie & Lowell—bridges all these approaches. Sufjan uses the quietness of a solitary confession to ask universal questions in songs we can share communally. Accompanying the CD and LP formats of the album is a 48-page book of art and essays. With a series of meticulous collages, cut-up catalog fantasies, puff-paint word clouds, and iterative color fields, Sufjan builds order from seeming chaos and vice versa. And toward the middle of it all are 10 short essays by Sufjan, another window into the process that informed Javelin.

But Here We Are is the new album from Foo Fighters, and marks the bands return after a year of staggering losses, personal introspection and bittersweet remembrances. A brutally honest and emotionally raw response to everything Foo Fighters have endured recently, But Here We Are is a testament to the healing powers of music, friendship and family. Courageous, damaged and unflinchingly authentic, the album opens with “Rescued,” the first of 10 songs that run the emotional gamut from rage and sorrow to serenity and acceptance, and myriad points in between.

But Here We Are is in nearly equal measure the 11th Foo Fighters album and the first chapter of the band’s new life. Sonically channeling the naiveté of Foo Fighters’ 1995 debut, informed by decades of maturity and depth, But Here We Are is the sound of brothers finding refuge in the music that brought them together in the first place 28 years ago, a process that was as therapeutic as it was about a continuation of life.