~ NTX New Arrivals

Robin Pecknold brings light to the bleakest of winters with Fleet Foxes’ ‘A Very Lonely Solstice,’ a 13-track career spanning collection recorded in December 2020, at Brooklyn, NY’s St. Ann & the Holy Trinity Church.

Now being released for the first time on vinyl, CD and digital formats, ‘A Very Lonely Solstice’ captures a poignant moment in time. The recording was originally broadcasted as a live-stream event on the winter solstice of 2020, just days after New York declared a state of emergency tightening restrictions again in response to increasing COVID-19 cases. Pecknold describes the set as “me by myself on the longest night of the year... honoring the loneliness of 2020 with a nylon string and some songs new and old.” Fans worldwide tuned in while quarantined at home, finding solace and a sense of community in a period of extreme isolation.

Much of ‘A Very Lonely Solstice’ showcases a solo focus on Pecknold who offers up acoustic arrangements of fan-favorite songs spanning Fleet Foxes’ catalog. Selections cover all four of the band’s studio albums, including their 2008 self-titled debut album (“Tiger Mountain Peasant Song”) to 2011’s Helplessness Blues (“Blue Spotted Tail”) and 2017’s Crack-Up (“If You Need To, Keep Time On Me”), all the way to their latest release, Shore. Resistance Revival Chorus joins Pecknold on Shore tracks “Wading In Waist-High Water” and “Can I Believe You.” Also featured: a cover of Nina Simone’s “In The Morning” and a rearrangement of the traditional “Silver Dagger.”

Multi-platinum rock band Shinedown have released their lead single “Planet Zero,” the title track from their newly announced seventh studio album out April 22 on Atlantic Records. Planet Zero serves up an incisive look at the issues at hand: cancel culture run rampant, the corrosive effects of social media on mental health and society, and the increasingly toxic division among those of differing ideologies. Featuring Shinedown’s explosive yet artfully crafted sound and urgent lyrics, single “Planet Zero” rings the alarm on a dystopian warning of the dangerous consequences to come when it all goes too far, and we begin to lose our respect for those with differing opinions and our compassion for one another.

Says Brent, “If we shut each other down and allow ourselves to be divided by the information we consume and the way we talk to each other, we lose our humanity. When you look outside of your phone, you’ll see there are so many people doing good things and trying to take care of each other. But we’re starting to see parts of society slip into an unknown. Planet Zero was written for all of us. The fact is that we’re all here on this planet no matter what, so it’s time to actually move forward together with empathy, perseverance and strength. With that said….welcome to PLANET ZERO.”  

Over the last two decades, Shinedown have cemented their status as one of the most vital and forward-thinking powerhouses in modern rock.Their most ambitious and masterfully realized work to date, Planet Zerois a high-concept, ultra-vivid, viscerally charged saga. A critical yet optimistic look at the fractures and frays of a society that has undergone many challenges in the last few years, the album is part social commentary and part in-depth exploration of the human psyche. Produced by Shinedown’s Eric Bass (who also produced the band’s 2018 acclaimed album ATTENTION ATTENTION,) and recorded at Bass’ newly built Big Animal Studio in South Carolina, Planet Zero matches its immersive world-building and takedown of authoritarianism with a deliberately unvarnished sound, and the album is spliced with interludes featuring Cyren, an insidious and unsettling robot character that appears throughout the Planet Zero journey. While a raw ferocity fuels much of Planet Zero on tracks like “The Saints of Violence and Innuendo,” “No Sleep Tonight,” and “America Burning,” there is also hope, triumph, and reminders that we all need one another on songs like “Daylight,” “Dysfunctional You,” and “A Symptom of Being Human.” After all, it is the band’s impassioned striving for unity that has long been at the heart of their creative output and deeply informed the making of Planet Zero.Not only a driving force for their songwriting, their humanitarian outlook led Shinedown to be one of the first artists to fundraise for non-profit humanitarian aid organization Direct Relief in the early days of the COVID-19 pandemic, raising more than $400,000 with their “Atlas Falls” relief effort.

Quickness is the fourth full-length studio album by Bad Brains, originally released by Caroline Records in 1989.This reissue marks the fifth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing. Pressed on silver color vinyl, limited to 1,000 units and only available at independent record stores.

Tremblers And Goggles By Rank marks a new phase in Robert Pollard's songwriting evolution. His songs have always included non-traditional approaches to form and song structure, but with this album, he has pushed it further than ever. While the familiar Guided by Voices pop-craft and melodic virtuosity always occupies center stage, the first-time listener will never be able to predict what's coming next in a song. "Alex Bell" and "Focus On The Flock" are the two anchors, each one expansive and filled with rock grandeur, and both exemplifying the complex wordplay, melodies, and structures that are hallmarks of the album. GBV's latest batch of brilliant songs ride on colorful psychedelic flourishes and brash post-punk textures that make this ten-song album a one-of-a-kind head trip. While there are hooks and earworms aplenty within, this album is a complex and kaleidoscopic journey, representing a new echelon in the Guided by Voices universe. It represents another level of songwriting and performance from the group. It plays out like an intricate and powerful collage, in a very multicolored and multi-faceted fashion; a work grand in scale and undertaking. There are triumphant and glorious choruses, deep and dark wormholes, sinewy twists and turns, bold and theatrical bravados, massive cliffs, plateaus, peaks, and valleys-these emotional landscapes reach new and unexpected heights along the way.

Limited 10" vinyl pressing. Housed in dark petrol blue sleeve with grain embossed finish. Title and crucifix rendered in gold foil. Seven Psalms features seven spoken word pieces by Nick Cave set to music in collaboration with Warren Ellis.

Ltd. Silver or Gold LP. Abrakadabra is the new album from Gothenburg's leading exponents of street metal, Hardcore Superstar. Many bands play it safe - Hardcore Superstar doesn't. Paying little attention to the extreme death metal sounds their hometown was renowned for, the Swedish four piece had the balls to marry two styles that grew up hating each other: Metal and Sleaze Rock. The former hard, aggressive and ugly, the latter catchy, melodic and decadent. "Street Metal'", offers drummer Magnus "Adde" Andreasson. "Thrash and sleaze both come from the gutter. They wear big sneakers, they are a bit stupid and they both read pulp fiction. " The success and acclaim of 2018's You Can't Kill My Rock N' Roll inspired the band significantly and writing for the next record enthusiastically started whilst out on tour. Connecting with so many fans has helped to influence the shape and sound of the new record, with drummer Adde commenting that the new album "feels like the record we should have released after the Black album". Abrakadabra containing 10 hard hitting songs exploding with riffs, attitude, intensity and that magical feeling you get when your work is over and the weekend is here. This is an album for the fans and best shared with great friends, cold beers and very loud-speakers!

 The phenomenal 2004 solo album from keyboard wizard, and current member of prog metal giants Dream Theater, Jordan Rudess!  This album is the product of Rudess's unique creative process where he isolates himself without any contact to the outside world for up to two weeks as he composes his intricate and complex compositions!  Rudess also brought out some of the biggest guns in the six-string world with guest appearances by Joe Satriani, Steve Morse, Vinnie Moore and more plus vocalist Kip Winger!  First time ever on vinyl!

The first ever vinyl pressing of the sophomore solo album from famed vocalist for prog rock heroes Kansas, Steve Walsh! Originally released in 2000, this album features contributions from Magellan's Trent Gardner, hugely celebrated drummer Virgil Donati, Kansas bassist Billy Greer and more! Limited edition RED vinyl!

Another groundbreaking reissue - the first ever vinyl pressings of the 1986 debut recordings on 8-track from industrial/EBM legends Front Line Assembly! Originally available only on cassette, these recordings were never officially released until the early '90s and only then on CD but have been rabidly traded by die-hard fans! This reissue includes the "lost" track "Eternal," which was not included in the CD reissues!

The roots of Naima Bock's music are far reaching. Born in Glastonbury to a Brazilian father and a Greek mother, Naima spent her early childhood in Brazil before eventually returning to England and various homes in South-East London. This heritage combines with more recent pursuits in Naima's music. From the Brazilian standards that the family listened to while driving to the beach, to the European folk traditions she tapped into on her own, and the pursuits that interest her today - studies in archaeology, work as a gardener, and walking the world's great trails - Naima's music draws from family, the earth and music handed down through generations. Naima's debut album Giant Palm is undoubtedly infused with the Brazilian music of her youth and regular family visits. She found inspiration in "the percussion, the melodies, chords - and particularly the poetic juxtaposition of tragedy and beauty held within the lyrics." By the age of 15 Naima was embedded in the music scene of South-East London, eventually forming Goat Girl with school friends and touring the world. After six years playing bass in Goat Girl, Naima left the band to try something new. She set up a gardening company and started a degree at University College London in archeology because, as she jokes, "I liked being near the ground." During this time she wrote music, played guitar, learned violin, worked with ever-shifting South-London collective Broadside Hacks, and met producer and arranger Joel Burton through Memorials of Distinction label head Josh Cohen. Joel's burgeoning interest in Western classical music, global folk music, experience in large scale arrangement and orchestration informed the collaborative process that eventually culminated in Giant Palm. Recorded with the help of over 30 musicians (including Josh Cohen on synth/electronics) by Dan Carey of Speedy Wunderground at his studio space in Streatham, South-East London, and engineered by Syd Kemp, the songs on Giant Palm represent a snapshot of a specific feeling, of brief moments in Naima's life that make up a larger whole. The expansive yet delicate arrangements highlight Naima's love for the collectivist values of traditional folk music, in which songs belong to everyone, and singing can take on countless forms without the need to exactly replicate something. "All the other representations that I'd had of singing felt so unattainable" she recalls. Giant Palm finds Naima bucking these expectations to let her unique voice and sense of communal creativity flourish.

The 2011 Steven Wilson Remix pressed on 180g Vinyl!

Rolling Stone 500 Greatest Albums of All Time - Rated 337/500!

1971 saw the release of some of the greatest pop/rock albums of all time: Imagine, Pearl, Sticky Fingers, Who?s Next, Tupelo Honey, Surf?s Up, Fragile, Led Zeppelin's IV, Muswell Hillbillies, Tapestry, What?s Going On? and both Madman Across the Water and Tumbleweed Connection are just some of the iconic titles that hit the stores that year. Add Aqualung and that?s quite an output for a twelve month span.

Generally considered the pinnacle of the band?s recorded output, front-man Ian Anderson?s songwriting was quickly evolving from British folk-blues roots and helping define prog-rock. While definitely pushing the envelope for the era in taking on the subjects of God and organized religion, it was guitarist Martin Barre who was establishing equal ground with Anderson?s flute as an instrumental voice of the band. Joining Tull after Toni Iommi (Black Sabbath) who himself had replaced original guitarist Mick Abrahams (Blodwyn Pig, Mick Abrahams Band) departed after only a few days, both Barre?s opening riffs and lead breaks became indelibly imprinted to generations of classic rock.

Songs such as "My God", "Hymn 43", "Locomotive Breath", "Cross-Eyed Mary", "Wind Up" and of course the title track "Aqualung" became FM radio staples and are in-demand concert favorites to this day.

The 2011 Steven Wilson Remix:

Steven Wilson is musician and producer and is well known as the founder, lead guitarist, singer and songwriter of the progressive rock band Porcupine Tree. Wilson is involved in an ongoing project remixing the back catalogue of King Crimson into MLP (Meridian Lossless Packaging) 5.1 and new stereo mixes. He is also remixing the back catalogue of Jethro Tull, including this one Aqualung, in 2011.

Notes On The New Mixes:

Ian has stated that the original recording sessions for Aqualung were a struggle to overcome the technical shortcomings of the studio situation the band found themselves in, and it's certainly the case that the original release is more a triumph of writing and performance than it is of sonic excellence. But I was pleased to discover that what was on the multitrack master tapes sounded better than the 1971 mix would suggest. Using the digitally transferred 16 and 8 track tapes we were able to get a lot more tone from the instruments, as well as a much greater sense of depth and clarity in the sonic picture.

As a long term fan of this music, my aim when remixing a classic album like this is to be faithful to the original, and to stay absolutely true to the spirit of the era in which the music was made. Some cleaing up has been done, but only to the extent that it had zero impact on the audio (after all, a little bit of analogue tape hiss is part of the magic!) No attempt was made to modernise" the mix, and to this end most of the equalisation, volume levels (and rides), stereo positioning, reverbs, echos and other effects processing are matched as closely as possible to the 1971 mix. The only exceptions to this are that we have brought some instruments in a little from extreme left or right in the stereo specgtrum, and a few details that may have been getting a little lost in the original mix have been given a lift in the new version." - Steven Wilson, 1st July 2011

Gatefold LP featuring 24 page adapted booklet from the previous 2011 40th anniversary set.

Robin Pecknold brings light to the bleakest of winters with Fleet Foxes' 'A Very Lonely Solstice,' a 13-track career spanning collection recorded in December 2020, at Brooklyn, NY's St. Ann & the Holy Trinity Church. Now being released for the first time on vinyl, CD and digital formats, 'A Very Lonely Solstice' captures a poignant moment in time. The recording was originally broadcasted as a live-stream event on the winter solstice of 2020, just days after New York declared a state of emergency tightening restrictions again in response to increasing COVID-19 cases. Pecknold describes the set as "me by myself on the longest night of the year... honoring the loneliness of 2020 with a nylon string and some songs new and old." Fans worldwide tuned in while quarantined at home, finding solace and a sense of community in a period of extreme isolation. Much of 'A Very Lonely Solstice' showcases a solo focus on Pecknold who offers up acoustic arrangements of fan-favorite songs spanning Fleet Foxes' catalog. Selections cover all four of the band's studio albums, including their 2008 self-titled debut album ("Tiger Mountain Peasant Song") to 2011's Helplessness Blues ("Blue Spotted Tail") and 2017's Crack-Up ("If You Need To, Keep Time On Me"), all the way to their latest release, Shore. Resistance Revival Chorus joins Pecknold on Shore tracks "Wading In Waist-High Water" and "Can I Believe You." Also featured: a cover of Nina Simone's "In The Morning" and a rearrangement of the traditional "Silver Dagger."

 Producer Billy Sherwood once again leads this uber talented prog rock supergroup, this time on a trip through some of the most recognizable and influential folk and art-rock songs of their generation!  Performances by David Clayton-Thomas (Blood Sweat & Tears), Rod Argent (The Zombies), Sonja Kristina (Curved Air), Candice Night (Blackmore's Night), Dweezil Zappa, Ron "Bumblefoot" Thal (Guns N' Roses/Asia), Steve Morse (Deep Purple/Dixie Dregs), Martin Barre (Jethro Tull), Steve Hillage (Gong) and more!  Listen to how these stellar musicians transform the sound of '60s & '70s folk rock into ethereal and atmospheric masterpieces!  Available in a gorgeous gatefold jacket with PURPLE vinyl!

 Vintage live 2LP set from psych rock powerhouse band Iron Butterfly captured here at the peak of their popularity and powers!  This show features mindblowing renditions of the classic rock anthems "Easy Rider" and "In-A-Gadda-Da-Vida" and was the final performance of the group's epic tour with then up-and-coming prog act Yes, who join the Butterfly onstage for a live farewell jam session!  Limited edition SILVER vinyl!

 An enormous gathering of rock stars and heroes pay homage to one of the most popular bands in music history, KISS!  Features former KISS member Bruce Kulick plus some of the bands biggest acolytes and fans including Dee Snider (Twisted Sister), Lemmy Kilmister (Motörhead), Steve Lukather (Toto), Chris Jericho (Fozzy), Buzz Osbourne (Melvins), Dug Pinnick (King's X), C.C. DeVille (Poison) and so many more!  Now available for the first time ever on vinyl!

 A special deluxe reissue of the 1991 gothic/death rock side project from Rozz Williams and Eva O of Christian Death!  Reissue includes all new digitally remastered audio plus contributions from Hole bassist Jill Emery of Hole and keyboardist Paris Sadonis!  Now available in BLUE/BLACK SPLATTER vinyl!

 The final studio album from one of Britain's most popular punk rock exports, UK Subs!  Still led by the indomitable Charlie Harper along with longtime bassist Alvin Gibbs, the band pulls out all the stops and delivers one of their fiercest albums to date - just check out the first single and leadoff track "Sensei!"  Available on GOLD vinyl!  Watch for the Subs on tour with Bad Religion this year as well as playing select dates in the US in 2023!

Animal Records - founded by Chris Stein of Blondie fame - only ever released one album in it's brief early-80s history, but what an album that was. Wild Style remains the most seminal soundtrack in hip-hop history, a snapshot of the scene as it evolved from the streets to the recording studio. But it's not just a vital document, it's also a damn good listen. The line-up is a who's who of those who stood out from hip-hop's nascent block party days. The Double Trouble pairing of Rodney Cee and KK Rockwell, The Chief Rocker himself, Busy Bee, the mighty line-ups of both The Cold Crush Brothers and The Fantastic Freaks. The music captures the free-form, roaming nature of the film - it's rough at the edges, it's occasionally amateurish, but it's completely, utterly glorious.The original Animal tracklisting, of which this is a reissue, is full of recurring sounds and motifs, all of them co-produced by Chris Stein and Fab Five Freddy, stepping away from breakbeats to produce a sound that reminds you of them, while being totally unique. The epic drums are courtesy of Lenny 'Ferrari' Ferraro, a Vietnam vet and punk drummer whose career spanned stints backing Aretha Franklin and Lou Reed.Over time, those sounds - the Charlie Chase and Grand Wizard Theodore scratches, the indelible lyrics - have become hip-hop touchstones, endlessly sampled and referenced, the bedrock of so much music to follow. That's because the soundtrack perfectly encapsulated the essence of the film, the scene and hip-hop's emergence from The Bronx to the attention of the wider world. Presented in this reissue with the original artwork, it remains the blueprint.

The long-awaited vinyl companion to last year's highly acclaimed project that gathered an all-star cast of classic, prog and art rock musicians to recreate Pink Floyd's ambitious 1977 album Animals! Includes performances by jazz-rock guitar legend Al Di Meola, psych-rock godfather Arthur Brown, drum master Billy Cobham, UFO's Vinnie Moore, Bauhaus's David J, Dream Theater's James LaBrie, Rainbow's Graham Bonnet and so many more! Each track of this groundbreaking work has been completely reimagined with modern production flourishes and tasteful musical additions while staying true to the original album's heady and subtly complex composition! Among the truly die-hard Floyd fans, this album is considered one of the group's best, a perfect marriage of Waters & Gilmour's contrasting talents! Available on BLUE vinyl in a gatefold jacket!

 Iconic hip hop duo Fredro Starr & Sticky Fingaz pull out all the stops with their newest studio album!  Features guest appearances by Wu Tang Clan member Cappadonna, L.A.'s underground sensation Planet Asia, graffiti legend turned rapper Snak The Ripper and more!  Now available in limited edition SILVER vinyl!

Following Momma's beloved 2020 LP Two of Me, which introduced the world to the symbiotic writing style and profound creative intuition of founders Etta Friedman and Allegra Weingarten, the band's third studio album Household Name reveals an exciting new chapter marked by both personal and artistic growth. Mastered by Grammy-winning engineer Emily Lazar, the album is a tightly-stitched collection that is magnetic and dynamic, and also marks their debut for Polyvinyl Record Co./Lucky Number-who signed Momma in the midst of the pandemic.Bygone heroes helped inspire a lyrical theme throughout Household Name: the rise and fall of the rock star, and the tropes and tribulations that come with that arc. The theme allowed the group to celebrate (and, in some cases, directly reference) icons like Nirvana, Pavement, Smashing Pumpkins, Veruca Salt, and the Breeders' Kim Deal, while weaving in their own perspective and experiences. Standouts like "Medicine," which The Line of Best Fit described as an "addictive alt-rock tonic," and "Speeding 72" showcase the band's knack for developing hooky guitar lines paired with an intricate, yet boisterous rhythm section. The album perfects a balance of heavy riffs, deep emotions, inviting sonic production, and a lighthearted, wry sense of humor, creating a singular lane for Momma in today's world of alt rock. In addition to a full US tour supporting Snail Mail and recent club dates with Wet Leg, and Greer, Momma have been featured in outlets such as DIY, NPR, Stereogum, and Rolling Stone, who featured them as 2020's "Artist You Need To Know.""One of nouveau grunge's best-kept secrets." - Guitar World Magazine"Over toppling drums and gripping guitar riffs, "Medicine" reveals that Momma have tightened their songwriting craft." - FLOOD"It's a fun juxtaposition, and a feeling many can relate to. Wanting to be around someone so much that it's a craving when they're absent is presented here without frills. It's a sound that suits Momma well." - Consequence

 A revamped and reissued version of the second album from prog rock supergroup featuring Yes veterans Chris Squire, Jay Schellen & Billy Sherwood!  All new artwork and new digipak packaging make this a must-have for prog rock afficionados!  Appearing on vinyl here for the first time - in gorgeous BLUE!

London's funk punk gang Warmduscher are made up of members of Fat White Family, Paranoid London and Childhood. Their fourth album, At The HotSpot, was written over a year period during lockdown. Produced by Joe Goddard and Al Doyle of Hot Chip, it takes the raucous energy Warmduscher solidified on their critically acclaimed 2019 release Tainted Lunch, and injects it with a slightly more polished, 80's funk sound that is kind of like stumbling home to your squatted loft after a drunken night at the local disco. It's crunchy on the outside, smooth on the inside, and might be the most immediately enjoyable music Warmduscher have ever graced us with.

 The final studio album from one of Britain's most popular punk rock exports, UK Subs!  Still led by the indomitable Charlie Harper along with longtime bassist Alvin Gibbs, the band pulls out all the stops and delivers one of their fiercest albums to date - just check out the first single and leadoff track "Sensei!"  Available on GREEN vinyl!  Watch for the Subs on tour with Bad Religion this year as well as playing select dates in the US in 2023!

Without a brutal evaluation of their own becoming, TV Priest might have never made their second album. Heralded as the next big thing in post-punk, they were established as a bolshy, sharp-witted outfit, the kind that starts movements with their political ire. There was of course truth in that, but it was a suit that quickly felt heavy on it's wearer's shoulders, leaving little room for true vulnerability. "A lot of it did feel like I was being really careful and a bit at arm's length," says vocalist Charlie Drinkwater. "I think maybe I was not fully aware of the role I was taking. I had to take a step back and realize that what we were presenting was quite far away from the opinion of myself that I had. Now, I just want to be honest. " Having made music together since their teenage years, the London four-piece piqued press attention in late 2019 with their first gig as a newly solidified group, a raucous outing in the warehouse district of Hackney Wick. Debut single "House of York" followed with a blistering critique of monarchist patriotism, and they were signed to Sub Pop for their debut album. When Uppers arrived in the height of a global pandemic, it reaped praise from critics and fans alike for it's "dystopian doublespeak," but the band - Drinkwater, guitarist Alex Sprogis, producer, bass and keys player Nic Bueth and drummer Ed Kelland - were at home like the rest of us, drinking cups of tea and marking time via government-sanctioned daily exercise. As such, the personal and professional landmark of it's release felt "both colossal and minuscule" dampened by the inability to share it live. "It was a real gratification and really cathartic, but on the other hand, it was really strange, and not great for my mental health" admits Drinkwater. "I wasn't prepared, and I hadn't necessarily expected it to reach as many people as it did. " As such, My Other People maintains a strong sense of earth-rooted emotion, taking advantage of the opportunity to physically connect. Using "Saintless" (the closing song from Uppers) as something of a starting point, Drinkwater set about crafting lyrics that allowed him to articulate a deeper sense of personal truth, using music as a vessel to communicate with his bandmates about his depleting mental health. "Speaking very candidly, it was written at a time and a place where I was not, I would say, particularly well," he says. "There was a lot of things that had happened to myself and my family that were quite troubling moments. Despite that I do think the record has our most hopeful moments too; a lot of me trying to set myself reminders for living, just everyday sentiments to try and get myself out of the space I was in. ""It was a bit of a moment for all of us where we realised that we can make something that, to us at least, feels truly beautiful," agrees Bueth. "Brutality and frustration are only a part of that puzzle, and despite a lot of us feeling quite disconnected at the time, overwhelmingly beautiful things were also still happening. "This tension between existential fear born from the constant uncertainties of life, and an affirmative, cathartic urge to seize the moment, is central to My Other People, a record that heals by providing space for recognition, a ground zero in which you're welcome to stay awhile but which ultimately only leads up and out. For TV Priest, it is a follow-up that feels truly, properly them; free of bravado, unnecessary bluster or any audience pressure to commit solely to their original sound.

UK82 legends, The Varukers, re-cut some of their oldest, fiercest, most loved punk rock anthems for this album originally released in 1995! As the band wrote at the time, "we wanted to re-record these songs to give them a more updated sound and to represent The Varukers as we stand at present, so put the fucker on and enjoy!" Limited edition WHITE vinyl with printed inner sleeve featuring full lyrics and liner notes!

 UK82 legends, The Varukers, re-cut some of their oldest, fiercest, most loved punk rock anthems for this album originally released in 1995!  As the band wrote at the time, "we wanted to re-record these songs to give them a more updated sound and to represent The Varukers as we stand at present, so put the fucker on and enjoy!"  Limited edition RED vinyl with printed inner sleeve featuring full lyrics and liner notes!

 The debut full-length album from dark melodic post-punk band out of Sacramento CA, Creux Lies!  For fans of Drab Majesty, Soft Kill, Ritual Howls, Clan Of Xymox, The Chameleons, and The Cure!  Limited edition PINK vinyl pressing!

Avalon is the final studio album from Roxy Music. Released in 1982, it offered a smoother, more adult-oriented sound, giving us the now iconic singles, "More Than This," and "Avalon." This vinyl reissue is mastered at half-speed and cut by Miles Showell at Abbey Road Studios. It also features revised artwork with a gloss laminated finish.

Here is a collection of recordings by Kathy Yaeji Lee, originally released as a pair of EPs on March 31st and November 3rd of 2017, remastered for a belated vinyl edition for the first time. A lot has been said and repeated about the interiority of this club music - how the joyful tremor of the "Raingurl" refrain holds hands with such soft and doubtful verses. How special it is that house music so of New York can contain storytelling cultivated so far away. That repetition is born of people all over the world going out, and staying in, with this music as a compass; songs that define so many late night hangs for crews of friends, singalongs in DJ booths, contemplative 5am walks home from the club. What can get lost in that repetition, in the shifting canonization of these recordings as symbols of any one scene or moment, is what was behind the pair of round glasses reflecting so tirelessly outwards. Yaeji, an exceptional friend only at the very beginning of finding her path as a cross-disciplinary artist and collaborator. Yaeji wrote this music while going out nearly every night of the week to DJ and support her own NYC community of friends at their turns behind the decks. These tracks originated from explorations in dancefloor anonymity, growing from seeds planted by sharing her first musical experiments online. "'New York '93' was the first song I ever put out as Yaeji. It first came out on Soundcloud. I remember then every single listen was so surprising and important to me. It made me really curious to know who these people on the internet who find my music interesting are." Yaeji tracks quickly became a secret language of Brooklyn dance floors. The original demo for "Raingurl", a lovingly wonked-out version of it's successor, was passed around usb sticks like a free-for-all friendship bracelet. For Kathy, hearing these tracks played out in the club brought up mixed feelings, "I always felt a little embarrassed. I worried that the tracks weren't dancey enough." I remember Kathy's DJ set at a local summertime rave called Fourth World, a near-sunrise outdoor feast of nectarous house melodies and slippery breaks woven gracefully between pummeling techno kicks. I remember looking around at hundreds of faces staring at Kathy with what my mom calls "moon eyes." Those eyes you make at someone when their sheer loveliness can break down your ego and submit you cozily into your surroundings."Someone told me - 'you're someone we're down to be rooting for.' That made me realize why they'd say that. I can see how what I'm doing is something that takes courage for a lot of people that have grown up as an outsider like myself." There's a lot of processing that artists take on when work that's old for them is continuously new for others; things start to lose their place in time. Music is an archive, yet can so easily feel unfixed. With this record, these 10 recordings find a warm and loving home."This record is a symbolic reclaiming. A way to celebrate something that I wasn't able to fully appreciate in the moment.I don't think I would want to do anything else but make music-now I realize that."

Composer, musician and producer Klaus Schulze rolls out his extensive sounds, plays his legendary sequences and creates this unique 'Schulze atmosphere' for more than 50 years now. With "Deus Arrakis" the electronic legend now presents his new studio album. Through his collaboration with Hans Zimmer for the Oscar-winning soundtrack to the remake of the classic film 'Dune', desert fever has broken out again in Klaus Schulze. "I needed more of that 'Spice,'" Schulze recounts. "From there I felt completely unleashed and just played and played... at the end of that second private 'Dune' journey I realized: 'Deus Arrakis' became another salute to Frank Herbert and to that great gift of life in general." Since his beginnings in bands like 'Tangerine Dream' and 'Ash Ra Tempel' or in his over 50 solo albums from 'Irrlicht' to Mirage', 'X' and 'Dune' to 'Farscape', 'Kontinuum', Silhouettes' and now 'Deus Arrakis', in his productions under the pseudonym 'Richard Wahnfried' or the numerous film scores and collaborations with artists like Arthur Brown, Michael Shrieve, Rainer Bloss, Lisa Gerrard or most recently Hans Zimmer: Klaus Schulze has always remained true to his unmistakable way of creating music and yet always remained open to the new, the innovative, the experimental.

The 1978 classic debut album. Newly cut from masters by Jason Mitchell at LOUD mastering and approved by Andy Partridge. Pressed on 200gram super-heavyweight vinyl at Vinyl Factory UK. White Music neatly encapsulates the frenetic nature of the post-punk/new wave period, a time when bands such as XTC could issue two singles and two albums in under twelve months while maintaining a full schedule of gigs reached in poor transport, frequently followed by poorer accommodation and along with all of the accompanying press and promo requirements, all in order to build an audience.

Flesh + Blood gave Roxy Music their second #1 album in the UK when it was released in May 1980. It was preceded by the single "Over You," a #5 UK hit that also provided the band with a rare entry on Billboard's Hot 100 at #80. Flesh + Blood also included covers of The Byrds' "Eight Miles High" and Wilson Pickett's "In the Midnight Hour." Each Roxy Music album has been reissued with a fresh half-speed cut by Miles Showell at Abbey Road Studios, London. To reflect the audio, all eight of the Roxy Music studio albums have had their artwork revised and with a gloss-laminated finish, so that each album is not just a record - it's a piece of art.

Tresor (Treasure), Gwenno Saunders's third full-length solo album, and the second almost entirely in Cornish (Kernewek). Written in St. Ives, Cornwall, just prior to the Covid lockdowns of 2020 and completed in Cardiff during the pandemic along with her producer and musical collaborator, Rhys Edwards, Tresor reveals an introspective focus on home and self, a prescient work echoing the isolation and retreat that has been a central, global shared experience over the past two years.

The Mankunku Quartet's 1968 album 'Yakhal' Inkomo' clocks in at just over 30 minutes of jazz perfection. This compact, and to-the-point, album would sit comfortably in amongst some of the best works in the catalogues of any of the quintessential jazz labels such as Blue Note, Prestige and Impulse. 'Yakhal' Inkomo', however, was originally released on the South African record label World Record Co., which resulted in it becoming an elusive and sought-after piece for jazz collectors. First press copies sometimes fetch as much as £1,000 on the collectors' market. It has been long regarded as one of the finest South African jazz albums and DJ / broadcaster Gilles Peterson cemented this when he included it in his "best of genre" focussed radio show, 'The 20 - South African Jazz'.

Vinyl LP pressing. 2022 collection from the award-winning country music mother-daughter duo. Love Can Build A Bridge features ten classic including "(Grandpa) Tell Me 'bout the Good Ol' Days," "Mama, He's Crazy," "Young Love," and more!