A product of generations of underground music in L.A. and beyond, The Linda Lindas’ debut, Growing Up, channels classic punk, post punk, power pop, new wave, and other surprises into timelessly catchy and cool songs sung by all four members—each with her own style and energy. A handful of cuts have already been previewed at shows and enthusiastically approved by diehard followers in the pit at L.A.’s DIY punk institution The Smell and Head in the Cloud festival goers at The Rose Bowl alike. The Linda Lindas are stoked to unleash Growing Up.

The Linda Lindas first played together as members of a pickup new wave cover band of kids assembled by Kristin Kontrol (Dum Dum Girls) for Girlschool LA in 2018 and then formed their own garage punk group just for fun. Sisters Mila de la Garza (drummer, now 11) and Lucia de la Garza (guitar, 14), cousin Eloise Wong (bass, 13), and family friend Bela Salazar (guitar, 17) developed their chops as regulars at all-ages matinees in Chinatown, where they played with original L.A. punks like The Dils, Phranc, and Alley Cats; went on to open for riot grrrl legends Bikini Kill and architect Alice Bag as well as DIY heavyweights Best Coast and Bleached; and were eventually featured in Amy Poehler’s movie Moxie.

When the pandemic put a pause on shows, The Linda Lindas went on to self-release a four-song EP, make their own videos and grow a following beyond Los Angeles. But they never expected or could have even dreamed that their performance of “Racist, Sexist Boy” for the Los Angeles Public Library in May 2021 would take them from punk shows to TV shows.

A month later, when the school year ended and summer began, The Linda Lindas got to work on their first full-length LP. Having written a mountain of new material individually while sheltering in place and attending class virtually, the
band was more than ready to enter the studio where Mila and Lucia’s dad (and Eloise’s uncle and Bela’s “uncle”) Carlos de la Garza oversaw recording and production. The Grammy-winning producer’s work includes Paramore, Bad Religion, Best Coast, and Bleached.

The debut studio album from the Las Vegas quintet, who became a genre-defining band in The Scene, the emo vein of post-hardcore from the early 2000’s. Originally released in 2006, Dying Is Your Latest Fashion is celebrating its 15-year anniversary, for the first ever released on vinyl. This album is the only full-length album with original singer and founding member Ronnie Radke, who would eventually become the frontman of his own band, Falling in Reverse.

The Interrupters are an L.A. based four-piece bound by their rebel spirit and deep love of punk, rock, ska and 2 Tone. They make super high-energy rock -n-roll that’s equal parts catchy and confrontational. Their third album, Fight The Good Fight, was produced by Rancid’s Tim Armstrong and released on his Hellcat imprint for Epitaph Records. The album features front-woman Aimee Interrupter, guitarist Kevin Bivona, bassist Justin Bivone and drummer Jesse Bivona, spitting out lyrics that take on matters as thorny as family, friendship, martial law and loyalty, while churning out bouncing rock-steady rhythms and snarly guitar riffs. The Interrupters have built their live act of unstoppable energy and a feeling of easy community that reflects their familial vibe. They had toured the world with the likes of Green Day and Rancid and played huge festivals from The Vans Warped tour to Coachella. “There is usually a dance party going on in the crowd, which we appreciate since we always have our own dance party happening on stage,” says guitarist Kevin Bivona. The Interrupters will be dancing their way to a town near you this summer on many festivals and tours including The Punk in Drublic Festivals, Back to The Beach Festival and the Main Stage on Vans Warped Tour.

Fueled By Ramen is celebrating it's 25th Anniversary by releasing classic albums from it's history on silver vinyl.  The month of May brings Paramore's 3x Platinum seller, "Riot!"

Paramore are back with their first new music since 2017. The beloved Nashville-based trio of Zac Farro, Hayley Williams& Taylor Yorkhave returned from their hiatus -and the global pandemic -with “This Is Why”, one of the best songs of their already impressive repertoire. In what’s widely recognized as one of the most exciting musical returns of the year, the band have also announced the release of their long awaited sixth studio album, This is Why, for February 10th 2023. Recorded in Los Angeles, California with long-time collaborator Carlos de la Garza, the album features 10 new Paramore songs with cover art shot by Zachary Gray.

Entering back into a world -and cultural landscape -very different from the one they last participated in, Paramore have returned with a song about exactly that. “This Is Why” is a deliciously infectious Paramore ear-worm for the post-truth world. Of the song, Williams says, “This Is Why was the very last song we wrote for the album. To be honest, I was so tired of writing lyrics but Taylor convinced Zac and I both that we should work on this last idea. What came out of it was the title track for the whole album. It summarizes the plethora of ridiculous emotions, the rollercoaster of being alive in 2022, having survived even just the last 3 or 4 years. You’d think after a global pandemic of fucking biblical proportions and the impending doom of a dying planet, that humans would have found it deep within themselves to be kinder or more empathetic or something.”

When Paramore revealed they were recording together in January 2022 the response from music fans around the world was immediate and celebratory. In the time since the Grammy-winning, RIAA-certified multi-Platinum band released their last album, After Laughter-and Hayley Williams unveiled two lauded solo albums -Paramore have become more popular than ever.  Over the last few years Paramore’s influence and popularity has snowballed, as the age of streaming organically propelled them into a position as one of the world’s biggest, most culturally compelling rock bands. For the band, who formed as teenagers in Tennessee, their 20 year trajectory has seen them grow from youthful outsiders to bone-fide pop culture icons, permeating the musical landscape by inspiring a new generation of musical talent.

Simple Plan's 2002 debut studio album, No Pads, No Helmets...Just Balls, produced by Arnold Lanni (Our Lady Peace, King's X), features 12 irresistible anti-anthems of adolescent alienation, each one fit to burst with unstoppable hooks, melodic punk vocalizing, and shout-it-out-loud choruses. Available on limited-edition crystal-clear vinyl. 

Tell All Your Friends is the debut studio album from American alternative rock heroes, Taking Back Sunday. First released in 2002, the album propelled the career of Long Island-formed band, entering the Billboard Top 200 and going on to sell over 1M worldwide. The album features fan favorites; “Cute Without the ‘E’ (Cut From The Team),” “Timberwolves at New Jersey,” “Great Romances of the 20th Century” and “You’re So Last Summer.” This pressing has been remastered to commemorate the band’s 20th anniversary.

Louder Now is the third studio album from platinum-selling rock band Taking Back Sunday. The album, their first with a major label, debuted at #2 on the Billboard 200. Certified Gold in just two months, Louder Now boasts the hit single “MakeDamnSure” – the band’s highest streaming track to this day. Fitting to the album title, this release took on a heavier, darker mood and a bolder array of riffs and choruses than their previous records – a sound embraced by fans and critics alike. 

1-pocket Gatefold w/ printed sleeve. 180g Neon Yellow Vinyl. Accomplished singer-songwriter Andrew McMahon continues his solo work for his project Andrew McMahon in the Wilderness with the introspective album 'Tilt At The Wind No More', teaming up with trusted collaborators and producers Tommy English (K. Flay, X Ambassadors) & Jeremy Hatcher (Harry Styles, Shawn Mendes) on the album.

The 11-song record represents a reflection of everything Andrew has learned during his music career and throughout his life so far. Though it is steeped in nostalgia and optimism for the future, above all else, Andrew wanted to make 'Tilt At The Wind No More' sound "transportive. " "I wanted people to be able to put on their headphones and hear a universe in these songs," he says. "I think we pushed hard to make this music really adventurous. We took the singer-songwriter medium and said, 'Let's dig deep and make it sound really fun and out there and wrap people up in these arrangements. It's one of the things I'm most proud of: the way it sounds. " On "Last Rites," which conjures Cure-like drum beats, Andrew pens an ode to his wife and considers how love songs evolve with long-term relationships. "These last few pandemic years, I think people's bonds have either deepened or fractured. 'Last Rites' is reflective of a connection that goes so much deeper than even I can put into words. "