180 Gram Vinyl Audiophile edition of a true classic in both soul and blues. Some of the best tunes ever written are featured on this 1967 release with Nina's soulful voice and piano, and an amazing backing band, taking you to the very essence of the blues.

High-definition premium 180gm vinyl pressing of this classic Jazz album. Jazz Wax Records. 2010.

Limited 180gm vinyl LP pressing of this 1965 album from the Jazz great. Music on Vinyl.

Limited edition 180-gram vinyl LP reissue. Satchmo and The Duke were each in the midst of revitalized careers that were soaring higher than the fame of their youth when they joined forces to record "The Great Summit" in 1961. Each already was an unparalleled legend for nearly 30 years, and it is surprising they hadn't recorded more together. But then their styles were so different. Ellington was the sheer embodiment of sophistication and elegance in jazz. Armstrong was the earthy pulse of the people at large. Each had a ceaseless creativity and vitality that could only be matched by the other. All stylistic differences aside, few musicians on earth have had their sense of swingin' rhythm. This reissue remains a musical feast for the ears as Louie puts his own take on the music as Duke performs his biggest hits! You'll be blown away on "Mood Indigo;" "Black and Tan Fantasy;" "The Mooch;" "In a Mellow Tone;" "It Don't Mean a Thing (If It Ain't Got that Swing)" and more. It couldn't possibly sound better than it does on this 180-gram audiophile vinyl.

Limited audiophile 180gm vinyl LP repressing of this classic Jazz album. Vinyl Lovers.

Limited Edition pressing of this classic Jazz album on 180 gram vinyl. Comes with the bonus track "Bye Bye Blackbird".

2014 remastered 180G audiophile vinyl LP reissue of her 1972 album originally released on the RCA label. Includes insert. Music on Vinyl.

Seeing Alberta Hunter perform at the Cookery was guaranteed to chang your perception of what REAL entertainers do in front of a live audience. Not only was she the shimmying blues queen of the 20's, but she was also an international chanteuse and jazz singer without equal. With so few of her later recordings available, this live performance is truly a Godsend.

Norah Jones� seminal debut album, Come Away With Me, became a global phenomenon reaching #1 in 20 countries, selling nearly 30 million copies, and sweeping the 2003 GRAMMY Awards with 8 wins including Album of the Year, Record of the Year, Song of the Year, and Best New Artist. The remastered 20th Anniversary Edition captures the emergence of a singular talent on this now-classic album.

In May of 1957, Art Blakey and his Jazz Messengers went into the studio with Thelonious Monk to record a one-off album for Atlantic. The Jazz Messengers were a loose collective of young Jazz musicians, with a constantly rotating lineup to keep the music fresh and help launch new careers. In this iteration we find Art Blakey on drums, Thelonious Monk on piano, Johnny Griffin on tenor saxophone, Bill Hardman on trumpet and Spanky DeBrest on bass. -Blakey had recorded with Monk on various occasions, but this was the first time Monk sat in with the Jazz Messengers. This also marks Thelonious Monk�s only appearance on Atlantic Records. The result is a true meeting of the minds, a beautiful union of Monk�s melodies with Blakey�s unshakable sense of swing. This 65thAnniversary deluxe edition includes an extra disc ofunreleased outtakes, celebrating the most sensational jazz collaboration of the 1950s.

�We�re a bunch of outsiders who refused to be kept out,� says High Pulp drummer�Bobby Granfelt. �We�ve never had an academic approach to jazz�most of us grew up�playing in DIY bands�so it was the rawness and the energy and the absolute freedom�of the music that called to us in the first place.�

Indeed, there�s something defiant, something utterly liberating about High Pulp�s remarkable ANTI- Records debut, Pursuit of Ends. Drawing on punk rock, shoegaze, hip-hop, and electronic music, the band�s brand of experimental jazz is both vintage and�futuristic all at once, hinting at times to everything from Miles Davis and Duke Ellington�to Aphex Twin and My Bloody Valentine. The songs here balance meticulous composition with visceral spontaneity, and the performances are nothing short of virtuosic,�fueled by raw, ecstatic horn runs ducking and weaving their way around thick bass�lines and dizzying percussion.

While the Seattle-based collective is centered around a crew of six core members,�they also make judicious use of a broad network of collaborators on the album, wrangling special guests like sax star Jaleel Shaw (Roy Haynes, Mingus Big Band), harpist�Brandee Younger (Ravi Coltrane, The Roots), GRAMMY-nominated trumpeter Theo�Coker, and keyboardist Jacob Mann (Rufus Wainwright, Louis Cole) to help stretch the�boundaries of their already-expansive sonic universe. The result is a lush, cinematic�collection that�s as unpredictable as it is engrossing, an urgent, exhilarating instrumental album that manages to speak to the moment without uttering a single word.

There's scarcely a more towering figure in modern jazz than Bill Evans. His relaxed, emotional style would prove influential to generations of pianists who would follow him. On Trio '65, Evans is joined by bassist Chuck Israels and drummer Larry Bunker. It includes "If You Could See Me Now," Johnny Carisi's "Israel," and the heart-wrenching "Who Can I Turn To?" Verve Acoustic Sounds Series features transfers from analog tapes and remastered on 180-gram vinyl in deluxe gatefold packaging.

Limited direct metal mastered 180gm vinyl LP pressing of this album from the Blues great including four bonus tracks.. Wax Time.

Head Hunters was a pivotal point in Herbie Hancock's career, bringing him into the vanguard of jazz fusion. Hancock had pushed avant-garde boundaries on his own albums and with Miles Davis, but he had never devoted himself to the groove as he did on Head Hunters. Drawing heavily from Sly Stone, Curtis Mayfield, and James Brown, Hancock developed deeply funky, even gritty, rhythms over which he soloed on electric synthesizers, bringing the instrument to the forefront in jazz. It had all of the sensibilities of jazz, particularly in the way it wound off into long improvisations, but it's rhythms were firmly planted in funk, soul, and R&B, giving it a mass appeal that made it the biggest-selling jazz album of all time (a record which was later broken). Jazz purists, of course, decried the experiments at the time, but Head Hunters still sounds fresh and vital decades after it's initial release, and it's genre-bending proved vastly influential on not only jazz, but funk, soul, and hip-hop. Track listing: Chameleon, Watermelon Man, Sly, Vein Melter.

Limited gold colored vinyl LP pressing. On June 3rd, the GRAMMY-nominated six-piece - Adam Deitch (drums), Ryan Zoidis (saxophone), Adam 'Shmeeans' Smirnoff (guitar), Erick 'Jesus' Coomes (bass), Nigel Hall (keyboards/vocals), Eric 'Benny' Bloom (trumpet) - will be delivering a whole host of new tunes to the world in the form of 'Unify,' the eighth studio album from Lettuce and the third consecutive record made at Denver's Colorado Sound Studios, completing a loose trilogy starting with 2019's GRAMMY-nominated 'Elevate,' and continuing with 2020's 'Resonate.'

Limited 180gm vinyl LP pressing of this album including one bonus track. Coltrane Plays the Blues is a thematic LP consisting of six tunes based on the Blues. 'Blues for Bechet', one of the two pieces on this album on which Trane plays the soprano sax, is obviously dedicated to the jazzman who brought this instrument to Jazz: Sidney Bechet. Pianist McCoy Tyner sits out on 'Blues to Bechet' and both takes of 'Blues to You', reducing the band to a trio on these tracks. Wax Time.

Includes 1 Bonus Track! Limited Edition in Solid Blue Colored Vinyl. 180 gram. Colored Classic LPs. Direct Metal Mastering. Each LP Has It's Own Unique Sticker!

Limited direct metal mastered vinyl LP pressing of this classic album. Features two bonus tracks. Wax Time.

Limited 180gm yellow colored vinyl LP pressing. Ol� Coltrane is the ninth album by jazz musician John Coltrane, originally released in 1961 on Atlantic Records. The album was recorded at A&R Studios in New York, and was the last of Coltrane's Atlantic albums to be made under his own supervision.

Alfa Mist is one of the driving forces behind a young and vibrant scene of UK musicians, who've taken on jazz as their musical narrative. On his latest album Bring Backs the producer, self-taught pianist and rapper takes us on a sonic trip back to his beat-making past on the streets of East London, through the depth and musicality he discovered composing and playing jazz. Following the release of Bring Backs, London based producer, pianist, bandleader and MC Alfa Mist releases a new two track EP, Two For Mistake via ANTI-, on 10" vinyl. Recorded live at Alfa's studio session from London's renowned Metropolis Studios earlier in 2021, the EP includes 'Bumper Cars' - an extended live version of the Bring Backs album track 'Last Card' - and a cover of Freddie Hubbard's 1971 classic 'First Light'. The new EP arrives ahead of Alfa's upcoming tours, which include his debut US shows. The run will prove to be the first time fans will be able to hear tracks from Bring Backs and Two For Mistake in a live setting.

Gatefold 180-gram vinyl remaster. Live-Evil (1970) by Miles Davis is a double live album which features different settings of Miles Davis' bands. One of such recordings is of a 1970 gig at the Cellar Door, which featured a band comprised of Miles, bassist Michael Henderson, drummer Jack DeJohnette, guitarist John McLaughlin, saxophonist Gary Barts, and Keith Jarrett. The group is groovy, fast, and funky.

There is something simultaneously both brand-new and retro about 'All News Is Good News' - the debut album from Melbourne's instrumental soul group Surprise Chef. It sounds like something dreamt up by lo-fi cousins of David Axelrod and Janko Nilovic, with dramatic Library-music-eqsue cinematic arrangements echoing both light and dark, delving into moments of dissonance and positivity. There is a meticulous education of 1970's soul on display that touches on the legacies of the great composer / producers, yet at the same time this is a truly contemporary record that could have only been made now. The first limited pressing of 'All News Is Good News' was released on the band's own 'College Of Knowledge' imprint in November 2019. It slipped rapidly into the collective consciousness of underground music lovers around the world, with all copies selling out within a week and becoming a firm favourite at Mr Bongo HQ in the process. We felt Surprise Chef had made something very special, a future-classic, and that needed to be heard well beyond those lucky enough to have bagged those limited first copies. Formed at the end of 2017, Surprise Chef have grown within the fertile, creative, and supportive Melbourne music scene. Whilst the band is comprised of four core members, the album features friends and family as guest instrumentalists on flute, saxophone, vibraphone, congas, and assorted percussion; all adeptly recorded by engineer Henry Jenkins from the band Karate Boogaloo. The warm-raw-authenticity of the album was captured in the recordings live to tape over a handful of sessions in the band's home studio in Melbourne's inner-northern suburb of Coburg. As band member Lachlan Stuckey explains "All of the music we record is tracked live to tape, simply because so many of the records we love most were made that way". The results are a captivating journey of instrumental cinematic-soul that will connect with the hardened Axelrod, Truth & Soul, El Michels Affair, and Daptone's fans, as well as the open-minded first-time listener. We are very excited to share this first slice of Surprise Chef's world, with plenty more magic from these guys coming around the corner very soon.

Limited edition high definition premium 180gm vinyl LP repressing of this classic Jazz album. Originally issued on vinyl, the ongoing popularity of LP pressings and repressings has ensured the longevity of this format for years to come. Jazz Wax Records. 2009.

One of the most lauded (and brilliant) trumpet players in the history of jazz, Clifford Brown adds to his luster on this varied program of nine engaging tunes. Featuring the 1955 version of the Clifford Brown/Max Roach Quintet, a group also including tenor saxophonist Harold Land, pianist Richie Powell, and bassist George Morrow. One of the premiere early hard bop units. Verve's Acoustic Sounds Series features transfers from analog tapes, remastered 180-gram vinyl in deluxe gatefold packaging.

180-gram vinyl in deluxe gatefold with bonus tracks! Saxophone Colossus is one of Sonny Rollins' more acclaimed albums as a leader. Recorded on June 22, 1956, by which time the saxophonist had already been a regular member of the celebrated Max Roach-Clifford Brown Quintet for half a year. This fact also explains the presence of Roach. Four days later, that group would no longer exist, for on June 26 both Clifford Brown and the band's pianist Ritchie Powell were killed in a tragic car accident. Age 26, Rollins was already a well-known jazz fi gure. He had recorded some albums as a leader but, above all, he had been part of one of the most outstanding combos of the period: the Miles Davis Quintet. Saxophone Colossus enjoyed great critical success from the start and helped establish Rollins as a prominent jazz artist. The album presents Rollins leading an all-star quartet that includes pianist Tommy Flanagan, bassist Doug Watkins, and, as previously noted, drummer Max Roach.

Gerald Wilson's 1962 album, Moment of Truth, features his dynamic big band on an action-packed 9-song set (7 of which were composed by Wilson) with highlights including the swaggering blues of the title track, the irrepressible Latin groove of "Viva Tirado," and a fleet-footed version of Miles Davis's "Milestones." Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.

Direct Metal mastered vinyl LP repressing of this classic album includes digital download.

The original album in it's re-mastered form, plus an extra bonus LP containing 2 tracks that were never available on vinyl before, in a gatefold sleeve with liner notes. Extra tracks are an alternate take of 'Flamenco Sketches ' and a version of 'On Green Dolphin Street' recorded prior to the Kind of Blue sessions, with the legendary line-up of Bill Evans, John Coltrane, Paul Chambers and Jimmy Cobb. 180 gram black vinyl edition. Music on Vinyl. 2010.

Limited edition 180-gram clear vinyl version of arguably the greatest record - jazz or otherwise - of all time!

New vinyl is currently out of print & was unavailable untill now. Bossa Nova - The Best Example of a "Genre Defining Record". Features a star-studded cast of the finest 1966 Jazz Musicians. Includes "The Girl From Ipanema" & hot after hit after hit. Special deluxe package includes: Olive Green Opaque Vinyl with original record labels, OBI strip, single cardboard jacket with one pocket and printed inner sleeve.