Canadian rockers Three Days Grace release their seventh studio album, Explosions via RCA Records. THREE DAYS GRACE singer Matt Walst states: "In these crazy and divided times, everyone needs something to take the edge off."

Critically, Country Life is deemed to be Roxy Music's most consistent and sophisticated album. Musically and lyrically, the album has been considered more cynical and hard-rocking than their previous work. Released in 1974, it was their 4th studio album and includes the singles "The Thrill of It All," and "All I Want Is You." This vinyl reissue is mastered at half-speed and cut by Miles Showell at Abbey Road Studios. It also features revised artwork with a gloss laminated finish.

Released in 1965 My Generation was the debut album by The Who. The album peaked at #5 in the UK & launched the band into worldwide acclaim. Containing “My Generation”, “The Kids are Alright” & “The Ox” mastered by long time Who engineer Jon Astley from the original tapes. Packaged in original sleeve with obi & certificate of authenticity, this black vinyl version is engineered by Miles Showell at Abbey Road Studios with a half-speed mastering technique which produces a superior vinyl cut.

Grammy-winning hard rock band Halestorm announce Back From The Dead, their fifth studio album due out May 6, 2022, and follow-up to 2018’s Vicious. Produced by Nick Raskulinecz (Foo Fighters, Mastodon, Alice in Chains) with co-production by Scott Stevens (Shinedown, Daughtry, New Year’s Day), Back From The Dead quickly evolved from songwriting exercises into a matter of survival for the band, taking the listener through ‘a journey of navigating mental health, debauchery, survival, redemption, and rediscovery, while still maintaining faith in humanity’ says frontwoman Lzzy Hale. The album features the title track which earned the band their sixth #1 at Rock Radio, and current single, “The Steeple.” Halestorm has grown from a childhood dream of siblings Lzzy and Arejay Hale into one of the most celebrated rock bands of the last two decades. Halestorm’s music has surpassed a billion streams worldwide. Fronted by the incomparable Lzzy Hale with drummer Arejay Hale, guitarist Joe Hottinger, and bass player Josh Smith, Halestorm has earned a reputation as a powerful live music force, headlining sold-out shows and topping festival bills around the world.

Featuring a diverse and spectacular cast of collaborators, "The Atlas Underground Flood" is a treasure trove of creativity, spanning many genres. The album is the surprise sister record released on the heels of "The Atlas Underground Fire”. “Fire” and “Flood” are a continuation of the Rage Against The Machine guitarist’s groundbreaking 2018 album, “The Atlas Underground.” Morello’s insane guitar playing is on full display taking the instrument into the future and forging an alternative/rock/EDM masterpiece with heavy metal legends, punk icons and cutting edge firebrands.

This box set continues the chronological re-releasing of Neil Young’s official releases, remastered where analog tapes exist. Volume 4, released as a 4 LP box and 4 CD box, includes Hawks & Doves from 1980 (ORS 13), Re*Ac*Tor (with Crazy Horse) from 1981 (ORS 14), This Notes for You from 1988 (ORS 20), and Eldorado from 1989 (ORS 21). These albums bookend the period 1982-1987 when Neil recorded for Geffen Records, hence the non-sequential ORS numbers. This is the first official vinyl release of Eldorado, a 5 track mini-album (previously only released on CD in Australia and Japan) and it includes two much sought-after tracks, “Cocaine Eyes” and “Heavy Love”. The vinyl of Hawks & Doves, Re*Ac*Tor and This Notes for You have all been remastered from the original analog tapes by Chris Bellman at Bernie Grundman Mastering. Eldorado vinyl is mastered using the 44/16 digital master.

A Crow Left Of The Murder. Double LP on 180 Gram vinyl. Gatefold jacket. Reissue. In 2003, after successfully renegotiating their contract with Epic, Incubus struggled further in parting ways with bassist Dirk Lance. When a proven lineup has a successful chemistry, there is always the danger of tampering with that magic when a personnel change occurs. Luckily, Incubus dodged that bullet and struck gold with four-stringer Ben Kenney (Roots/Blackalicious).The requisite elements that Incubus fans have come to expect are firmly in place on A CROW LEFT OF THE MURDER, with the up-tempo bombast of "Megalomaniac" and "Beware? Criminal," the softer dynamics of "Southern Girl," and radio-friendly "Talk Shows On Mute." What may come as a surprise are the jazzy, proggy moments. In that light, some nods to Rush crop up, as with the chorus of the title track, "Agoraphobia" and the extended instrumental section of "Pistola." Guitarist Mike Einziger offers up plenty of quirky, interesting guitar work, especially in "Sick, Sad Little World" and "Priceless." CROW stands as an evolved statement of intent for Incubus, and a promise that the sky's the limit for this bird of flight.

FUTURE PAST is the highly anticipated 15th studio album from Duran Duran and boasts esteemed producers Erol Alkan, Giorgio Moroder and Mark Ronson behind the board. It features special guests Graham Coxon of Blur on guitar, Mike Garson from David Bowie's band on piano, and guest vocals from Lykke Li, with more exciting collaborations to be announced soon

GRAMMY®-nominated American singer/songwriter Lana Del Rey’s eighth studio album Blue Banisters follows the success of her previous album Chemtrails Over The Country Club, released earlier this year. Blue Banisters will include previously released songs "Wildflower Wildfire," "Blue Banisters," "Arcadia," and "Text Book."

A collaboration between Mike Patton (Faith No More, Mr. Bungle, Fantomas) and The Dillinger Escape Plan, this four song EP is a wildly progressive amalgam of musical styles that combines the feral intensity of hardcore, the technical precision of metal, mind-boggling tempo changes and sonic textures usually associated only with experimental electronic music. Irony Is A Dead Scene pushes the limits of speed, composition and complexity. Perhaps the most extraordinary track is a cover of Aphex Twin’s “Come To Daddy” which brilliantly and significantly serves to blur the distinction between “electronic” and “live” music. Reissued on vinyl to commemorate the 20th anniversary of the original release. 

Our only goal is to get lost in the music. We (John, Anthony, Chad and Flea) spent thousands of hours, collectively and individually, honing our craft and showing up for one another, to make the best album we could. Our antennae attuned to the divine cosmos, we were just so damn grateful for the opportunity to be in a room together, and, once again, try to get better. Days, weeks and months spent listening to each other, composing, jamming freely, and arranging the fruit of those jams with great care and purpose. The sounds, rhythms, vibrations, words and melodies had us enrapt.

We yearn to shine a light in the world, to uplift, connect, and bring people together. Each of the songs on our new album UNLIMITED LOVE, is a facet of us, reflecting our view of the universe.This is our life’s mission. We work, focus, and prepare, so that when the biggestwave comes, we are ready to ride it. The ocean has gifted us a mighty wave and this record is theride that is the sum of our lives. Thank you for listening, we hope you enjoy it.

One of the most successful acts in rock history, Red Hot Chili Peppers have sold more than 60 million albums, including five multi-platinum LPs, and won six Grammy Awards, including "Best Rock Album" for Stadium Arcadium, "Best Rock Performance By a Duo or Group" for "Dani California, "Best Rock Song" for "Scar Tissue," and "Best Hard Rock Performance With Vocal" for "Give It Away." The band holds the record for the most No. 1 singles of all time at Alternative radio, a total of 11, and a combined 81 weeks at No. 1.

Let It Come Down is the fourth album by the rock band Spiritualized, released in 2001. It was recorded and produced at Abbey Road and AIR Studios. It took Jason Pierce, Spiritualized's lead singer, guitarist and sole constant member four years to write, perform, produce and release. The album utilizes 115 session musicians, including orchestra and London Community Gospel Choir.

Slipknot's self titled, nearly triple platinum, Roadrunner Records debut release gets the vinyl re-issue treatment on "Lemon" colored vinyl.

On their new full-length - the first new music since The Waterfall (2015) - My Morning Jacket reaffirm the rarefied magic that has made them so beloved, embedding each song with moments of discovery, revelation and ecstatic catharsis. It comes after a near permanent hiatus for the band until performing four shows in summer '19 left them with a new energy. Jim James engineered/produced at 64 Sound in LA where the band spent weeks in intentional seclusion emerging with their self-titled 9th album.

SEETHER’s new 5-track EP features 3 never-before-heard tracks and an alternate take of “Wasteland” (along with the original album version.) Written and produced by Shaun Morgan, and mixed by Matt Hyde, Wasteland – The Purgatory EP, follows the fall 2020 release of their 9th album, Si Vis Pacem Para Bellum. That album debuted with impressive chart success and has already spawned two #1 rock radio hits: the anthemic, “Dangerous,” and hard-hitting “Bruised and Bloodied.”

Neil Young - Citizen Kane Jr. Blues 1974 (Live at The Bottom Line) - A fan favorite bootleg that is usually called "Live at The Bottom Line". A surprise solo acoustic performance following a Ry Cooder show on May 16, 1974. Notably features songs that would be included on "On The Beach". The album title comes from Neil introducing the opening song with that title; a song that later became "Push It Over The End".

The Let It Be album has been newly mixed by producer Giles Martin and engineer Sam Okell. All the new Let It Be releases feature the new stereo mix of the album as guided by the original "reproduced for disc" version by Phil Spector and sourced directly from the original session and rooftop performance eight-track tapes. Now available on 180-gram heavy vinyl.

The defining blues voice of his generation releases the eagerly-anticipated follow-up to his Grammy-nominated debut, 2019's Kingfish. 662 (the area code of his Clarksdale stomping grounds) is a powerful and personal album, a fiery coming-of-age record. The lyrics reflect Ingram's newfound maturity and how your roots inspire where you're heading. Musically, the record delivers a heaping helping of the deep, visceral Ingram guitar magic his fans love, fueling a combustible mix of molten blues rock, down home shuffles and soulful grooves.

To emerge from a global pandemic with a renewed sense of situational awareness, hard won insight, and a new album is the kind of move we’ve come to expect from THRICE over the last twenty years. With Horizons/East, Dustin Kensrue and his bandmates address, with candor and courage, the fragile and awkward arrangements that pass for civilization, while inviting us to dwell more knowingly within our own lives. Without surrendering any of the energy and hard edge of their previous albums, they’ve given us a profoundly meditative work which serves as a musical summons to everyday attentiveness.

Since forming THRICE with guitarist Teppei Teranishi, bassist Eddie Breckenridge, and drummer Riley Breckenridge in 1998, Kensrue has never been one to back down from a mental fight. This mood is set by the opening synth-driven number “Color of the Sky,” which sounds well-suited to accompany the closing credits of the Stranger Things season finale. Think Flying Lotus giving way to Elbow and setting the listener down in a new dimension. A self-recorded effort, Horizons/East conveys a palpable sense of danger, determination, and possibility.

"The dancer wants to get in a groove and stay there until he has exhausted his invention or his body. The timescale and momentum of any physical activity is vastly different from the attention span of listening."Albert Goldman "A good remix is when the remixer's sonic fingerprint is present, without sounding forced. It should feel like it's own story, with at least some of the same characters as the original." Khruangbin The art of the remix has been around for several decades, from the fervid imaginations of JA pioneers like Coxsone Dodd, Duke Reid or King Tubby to the disco enthusiasts of New York, such as Tom Moulton, who bequeathed us the modern iteration of the remix and provided a template from which most remixers still work. Moulton's first commercial remix, a reworking of BT Express' appropriately-named 'Do It 'Till You're Satisfied', which stretched it from three minutes to a luxurious five, assisted the band in securing it's first Billboard R&B Number One, as well as providing a pathway for remixers like Walter Gibbons, Larry Levan, Richie Rivera and Tee Scott, to completely reinvent the concept of a remix (and in some instances, deconstructing the idea of what comprised a song). It has subsequently been used as a marketing tool, a dancefloor-devastator, a gimmick (both cheap and expensive) or even as a way of reaching a different audience (think Tori Amos' 'Professional Widow'). Khruangbin are no slouches when it comes to the remix themselves. They've been reworked before, in 2016, with the highly collectible EP on Boogiefuturo. But this time, they're taking it a step further with an album dedicated to the art. Entering the tight-knit world of a Khruangbin song can be a little daunting. They have created this entire universe in which the trio seem to function telepathically in the way the music is composed, arranged and played. To mess with their delicate eco-system can invoke feelings similar to that of an unwanted guest crashing a good-time party. "We write our music to be interpreted; this is another wonderful interpretation of the music," reassure Khruangbin. "There is something very vulnerable about letting others work on your music. But through the correspondence with the different artists, we gained a bigger connection to the songs themselves." The choice of remixers for this album is neither arbitrary nor accidental. They're not names picked randomly out of a hat or chosen via a throw of the dice. All have some connection to the band, sometimes personal friendships, musical connections, or simply mutual musical appreciation. Harvey Sutherland and Ginger Roots have both toured with the band, Kadhja Bonet and Ron Trent had their own mutual fan club going on, Knxwledge sampled 'White Gloves' on a recent mixtape, Natasha Diggs and Soul Clap's Eli's are recent buddy-ups, Quantic is a mutual friend of Bonobo (crucial in the KB origin story), while I've known Laura for number of years; plus she is also godmother to one of Felix Dickinson's kids. Doesn't get much more intimate than that, right? Some of these remixes were specifically made so you can dance your ass off while getting down to the Khruangbin sound, while some might better be appreciated horizontally with headphones on, wearing fashionably loose clothes. The choice is yours. But all were made with love and respect for Khruangbin. "A good remix deconstructs, recontextualizes, or simply extends a good time," say the band. Amen and out. Bill Brewster

Heavy metal legends Judas Priest mark an incredible 50 year career with Reflections – 50 Heavy Metal Years Of Music. Available on double 180-gram red vinyl in a gatefold sleeve,  this new collection boasts 16 tracks including remastered studio recordings and 7 previously unreleased live cuts from the band’s archive.

“Fearless was an album full of magic and curiosity, the bliss and devastation of youth. It was the diary of the adventures and explorations of a teenage girl who was learning tiny lessons with every new crack in the facade of the fairytale ending she’d been shown in the movies. I’m thrilled to tell you that my new version of Fearless is done and will be with you soon. It’s called Fearless (Taylor’s Version) and it includes 26 songs.” – Taylor Swift. Includes 6 unreleased tracks. Gold 3 LP.

This newly discovered live-recording of a performance of the Love Supreme suite is a revelation. Recorded at The Penthouse in Seattle on October 2, 1965, this recording transports the listener to a prime seat for piece of musical history. While not studio-quality audio, the power of the performance shines through. This version is also of the full suite and features an expanded band that includes the same Classic Quartet and Pharoah Sanders in his first official gig as part of Coltrane’s group.

Brandi Carlile's new album, In These Silent Days, October 2021 via Low Country Sound/Elektra Records. It's the follow-up to her 2018 album By The Way, I Forgive You, and she recorded it at Nashville's RCA Studio A with producers Dave Cobb and Shooter Jennings. Tim Hanseroth (vocals, bass), Phil Hanseroth (vocals, guitar), Cobb (guitar, percussion), Jennings (piano, organ, synth), Chris Powell (drums, percussion), and Josh Neumann (strings) all appear on the album, and Jess Wolfe and Holly Laessig of Lucius make a guest appearance, adding backing vocals to "You And Me On The Rock."

Multi-platinum rock band STAIND are back with their first album in nine years, Live: It’s Been Awhile, May 7 via Yap’em / Alchemy Recordings. The band is comprised of lead vocalist and rhythm guitarist Aaron Lewis, lead guitarist Mike Mushok, bassist and backing vocalist Johnny April, and drummer Sal Giancarelli. Over the course of their career, the band has released seven studio albums and eight Top 10 singles, selling over 15 million albums worldwide. Break The Cycle, released in 2001 and RIAA certified 5x platinum, featured the smash single, “It’s Been Awhile,” one of the most played songs in modern rock radio history, spending 20 weeks at Number 1. In 2019 after a five-year hiatus, STAIND reunited for some unforgettable festival performances, and a hometown reunion show at Foxwoods Casino in Mashantucket, CT where their upcoming album, Live: It’s Been Awhile was recorded.

Rock ‘n’ roll is often hard to define, or even to find, in these fractured musical times. But to paraphrase an old saying, you know it when you hear it.

And you always hear it with The Wallflowers. For the past 30 years, the Jakob Dylan-led act has stood as one of rock’s most dynamic and purposeful bands – a unit dedicated to and continually honing a sound that meshes timeless songwriting and storytelling with a hard-hitting and decidedly modern musical attack. That signature style has been present through the decades, baked into the grooves of smash hits like 1996’s Bringing Down the Horse as well as more recent and exploratory fare like 2012’s Glad All Over.

But while it’s been nine long years since we’ve heard from the group with whom he first made his mark, the Wallflowers are silent no more. And Dylan always knew they’d return. “The Wallflowers is much of my life’s work,” he says simply. That life’s work continues with Exit Wounds, the brand-new Wallflowers studio offering. The collection marks the first new Wallflowers material since Glad All Over.

Exit Wounds, which, true to its title, is an ode to people – individual and collective – that have, to put it mildly, been through some stuff. 

“I think everybody – no matter what side of the aisle you’re on – wherever we’re going to next, we're all taking a lot of exit wounds with us,” Dylan says. “Nobody is the same as they were four years ago. That, to me, is what Exit Wounds signifies. And it's not meant to be negative at all. It just means that wherever you’re headed, even if it’s to a better place, you leave people and things behind, and you think about those people and those things and you carry them with you. Those are your exit wounds. And right now, we’re all swimming in them.”

The forthcoming album from The Steel Woods, All of Your Stones, took on a new dimension back in January when the band’s founding guitarist and principal creative force, Jason “Rowdy” Cope, passed away peacefully in his sleep at age 42.

The new album is the third offering from one of the fastest rising bands in the worlds of independent country and Southern rock. Since releasing their debut Straw In The Wind album in 2017, The Steel Woods have staked their claim as worthy successors of Southern rock icons Lynyrd Skynyrd, with a dynamic live show and a songwriting verve that draws inspiration from country icons like Willie Nelson and Waylon Jennings.

When The Steel Woods entered the studio to record All Of Your Stones, smack in the middle of a global pandemic, it’s clear they had something to prove, if only to themselves. Cope had wrestled with undiagnosed PTSD and its multitude of symptoms after the release of sophomore album Old News. Wes Bayliss, the band’s singer and co-songwriter, wasn’t always sure what the future held for the group, which is rounded out by Johnny Stanton (bass) and Isaac Senty (drums).

Reflecting on Rowdy’s vision and passion for the band, Stanley says the last thing Jason would have wanted was for the music to stop. Bayliss concurs. “We were always going to do the things you do when you put out a record. Now, there is simply a little more reason.” Indeed there is more reason.

With the release of All Of Your Stones, The Steel Woods now have the responsibility to keep the fire burning. After all, it’s what Rowdy would want.

Steve Miller has dug deep into his archives and found an unreleased, full-length concert recording. The album captures Miller's legendary 1977 lineup at the beginning of the band's turn from playing ballrooms and theatres to arenas and football stadiums. Recorded at the Capital Centre in Landover, MD on multi-track tape and newly mixed and mastered by Miller and Kent Hertz. Includes original liner notes by music journalist David Fricke and is pressed on 2 Black Vinyl 180G LP's.

LP Deluxe gatefold tip on Jacket, comes with set of 5 prints. [w/ download card]

m b v is the highly anticipated and long awaited 2013 album from the British Alt-Rock icons led by the esteemed Kevin Shields. MBV is the follow-up to their genre-defining 1991 album Loveless.

Hailed upon its release last year as "vital and comfortable taking new chances” (Rolling Stone) and “cheery, resilient, forever looking forward” (The New Yorker), Paul McCartney’s McCartney III, which topped album charts across the world, is now literally moving into the future in the form of McCartney III Imagined.  Personally curated by Paul, McCartney III Imagined features an A-List assortment of friends, fans and brand new acquaintances, each covering and/or reimagining their favorite McCartney III moments in their own signature styles. The result is a kaleidoscopic reinterpretation of an album Rolling Stone accurately tagged “an inspiration to us all”—one that serves as an extension of the instantly beloved McCartney III while standing on its own as brilliant and adventurous milestone in the McCartney discography.

Recorded in the spring of 2010 and then mysteriously abandoned by Prince before its release, the statement album Welcome 2 America documents Prince’s concerns, hopes, and visions for a shifting society, presciently foreshadowing an era of political division, disinformation, and a renewed fight for racial justice. The album features some of Prince’s only studio collaborations with the bassist Tal Wilkenfeld, drummer Chris Coleman, and engineer Jason Agel, with additional contributions from New Power Generation singers Shelby J, Liv Warfield, and Elisa Fiorillo and keyboardist Morris Hayes, who Prince also recruited to co-produce the album. The Deluxe Edition of Welcome 2 America combines the 2LP and CD versions of the album with a never before released Blu-Ray of Prince’s full April 28, 2011 performance at the Forum, part of the Welcome 2 America Tour’s historic 21 Nite Stand in Los Angeles. The show is presented in stereo, 5.1 surround and Dolby Atmos, and includes 24 tracks from across Prince’s career, from his biggest hits to fan favorites to ten rare covers. In addition, the deluxe edition features a 32 page 12x12 book, exclusive poster and an embossed vellum envelope of limited edition memorabilia all housed in a luxe, gold embossed package. Experienced as a complete package, the Deluxe Edition provides an immersive view of Prince’s creative genius during his spontaneous, energetic, and thought-provoking Welcome 2 America era.

Recorded direct to acetate - all live, no overdubs - Capitol Cuts - Live from Studio A captures a powerful moment in time. After months of cancelled shows Black Pumas went to Los Angeles this past fall and laid down eight explosive tracks at the famed Capitol Studio A. The recording brims with pent up energy, nearly bursting through the grooves on the expansive and mind-blowing seven minute rendition of “Colors.” A few weeks later the song would received a Grammy nomination for Record of the Year.

Nowhere Generation’s unabashedly outspoken 11 songs explore the tight bonds and the distances we share, the struggles of everyday life, our personal failings and triumphs, as well as how the social and economic decks can be stacked against us. But Nowhere Generation also hints at the reclamation of ourselves, a call to resurrect who we are at our core, who we want to be and what we want to do with our lives, despite the rampant weaponizing of our culture. As lyricist Tim McIlrath wrote on “The Numbers”:  …these cold nights are almost unbearable, but purpose keeps us warm.

Nowhere Generation was recorded at The Blasting Room in Fort Collins, Colorado under the tutelage of Jason Livermore, Andrew Berlin, Chris Beeble and long-time producer/engineer Bill Stevenson (Black Flag, The Descendents) who has worked with the band on nearly all of their acclaimed releases since their sophomore effort, 2003’s Revolutions Per Minute, and is often described as Rise Against’s fifth member.

Mammoth WVH is the debut, self-titled album of Mammoth WVH – the band created by Wolfgang Van Halen. This collection includes the chart topping new single, "Distance” plus “Don’t Back Down,” “Epiphany,” “Mammoth” and more.

At the beginning of 2015, Wolf broke ground on what would become Mammoth WVH with producer Michael “Elvis” Baskette [Alter Bridge, Slash] behind the board. Wolf began to embrace his voice, inspired by everyone from his father, to bands like AC/DC, Foo Fighters, Nine Inch Nails, TOOL, and Jimmy Eat World. In addition to writing and singing every song on the self-title debut album, remarkably Wolfgang plays every instrument.

“The name Mammoth is really special to me.” says Wolf. “Not only was it the name of Van Halen before it became Van Halen, but my father was also the lead singer. Ever since my dad told me this, I always thought that when I grew up, I’d call my own band Mammoth, because I loved the name so much.”

Demon Records is proud to present a new series of vinyl reissues from American singer songwriter Black Francis / Frank Black. First released in 2004 Frank Black Francis is an album of early versions and reworkings of songs from across the Pixies catalogue. Available on vinyl for the very first time, this reissue features the complete collection pressed on two 140 g white vinyl, housed in printed inner sleeves with an introduction by Frank Black Francis. LP 1 contains an acoustic solo demo tape from March 1987 which Black Francis recorded with engineer Gary Smith ahead of the very first Pixies recording session Highlights include early versions of future classics such as 'The Holiday Song', Song', ' and 'Nimrod's Son'. Recorded in 2003. LP 2 features Frank Black's reworkings of Pixies songs with Keith Moliné and Andy Diagram (of David Thomas and Two Pale Boys).

Van Morrison will release ‘Latest Record Project: Volume 1’ on May 7th on Exile/BMG. His 42nd record and his most dynamic and contemporary album in years, ‘Latest Record Project: Volume 1’ is a 28-track delve into his ongoing love of blues, R&B, jazz and soul. However much you may love his classic albums, this new project proves that he’s living in the present, and remains an artist of integrity and distinction. 

“I’m getting away from the perceived same songs, same albums all the time,” says Morrison. “This guy’s done 500 songs, maybe more, so hello? Why do you keep promoting the same ten? I’m trying to get out of the box.”

‘Latest Record Project: Volume 1’ is the result of our enforced period of isolation. Unable to tour, Morrison remained busy with constant songwriting, starting ideas on piano, guitar or saxophone. What emerged is a wealth of new material, which shimmers with a directness and vibrancy that comes from working with a rhythm section with whom he shares an immediate, spontaneous connection.

The perfect complement to the film available as a 5-LP 180-gram black vinyl set for the Zappa completist. Showcasing 69 total songs, with 12 previously unreleased recordings from archive along with the 1978 Saturday Night Live performance; 24 additional Zappa songs from the catalog spanning 4 decades; songs from Zappa's labels Straight / Bizarre Records; 2 classical compositions by Edgard Varese and Igor Stravinsky; and 26 Original Score cues newly composed by John Frizzell for the documentary.

Bad Brains is the self-titled debut studio album recorded by American hardcore punk/reggae band Bad Brains. Recorded in 1981 and released on (then) cassette-only label ROIR on February 5, 1982, many fans refer to it as "The Yellow Tape" because of it's yellow packaging. Though Bad Brains had recorded the 16 song Black Dots album in 1979 and the 5-song Omega Sessions EP in 1980, the ROIR cassette was the band's first release of anything longer than a single. The release includes the original liner notes by Ira Kaplan of Yo La Tengo.This reissue marks the second release in the remaster campaign on the band's own Bad Brains Records imprint with Org Music. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.

Following the success of her 2019 GRAMMY®-nominated album “Norman Fucking Rockwell”, Lana Del Rey will release her highly anticipated, seventh studio album on March 19th, 2021. Chemtrails Over The Country Club features eleven songs, including singles “Let Me Love You Like A Woman” and the title-track “Chemtrails Over The Country Club”.

Ryan Adams' first album in three years, Wednesdays, is purely raw, vulnerable, and honest. The music takes you on a deep dive exploring the complex heart of Ryan Adams, through a journey of love, pain, and heartbreak. The album so effortlessly creates an immediate connection with anyone who has ever experienced love lost - the type of love that haunts you in quiet places of your mind. While the lyrics walk you through the vast emotional layers of grief, they also remind you of the rich memories of a love that will forever remain a part of you.

Just two months after the release of his seminal album After The Gold Rush, Neil Young played a solo show at The Shakespeare Theater, Stratford, CT on January 22 1971. The show was filmed and recorded, and the concert shown on German TV later in 1971.

In 2020, while Neil and his team were reviewing his Archive for future projects, Neil re-visited the 16mm film and audio recording of this show that had been preserved in the Archive for almost 50 years. Piecing together the tapes and footage, Neil realized that he had the full concert – the film of which is the earliest live footage of Neil performing that is known to exist.

Neil has written on NYA that this show is “superior to our beloved “Massey Hall”. A more calm performance, without the celebratory atmosphere of Massey Hall, captured live on 16mm. “Young Shakespeare” is a very special event. To my fans, I say this is the best ever.”

As an insight into Neil’s prolific song writing at the time, the concert features two songs from the recently released After The Gold Rush but four songs from the classic Harvest album that was still over a year away from being released. The wonderful set list also includes acoustic renditions of favorites such as “Ohio”, “Cowgirl In the Sand”, “Helpless”, “Down By The River” and “Sugar Mountain”.

The ancient analog tapes have been lovingly restored – resulting in (as Neil says on NYA) “one of the most pure sounding acoustic performances we have in the Archive”.

This beautiful concert is being released on LP and CD, plus a deluxe boxed edition that includes both LP and CD and, for the first time ever, a DVD of the concert.

Young Shakespeare is being released almost exactly 50 years after the original performance.

Out on dBpm Records, Love Is The King, a “beautifully honest ode to love and hope,” is the follow-up to 2018’s WARM and 2019’s WARMER, and comes on the heels of Tweedy’s second book, How To Write One Song, out October 13th via Penguin Random House's Dutton. “At the beginning of the lockdown I started writing country songs to console myself. Folk and country type forms being the shapes that come most easily to me in a comforting way. 'Guess Again' is a good example of the success I was having at pushing the world away, counting my blessings — taking stock in my good fortune to have love in my life,” comments Tweedy. “A few weeks later things began to sound like 'Love Is The King' — a little more frayed around the edges with a lot more fear creeping in. Still hopeful but definitely discovering the limits of my own ability to self soothe." –Jeff Tweedy

Finding Wildflowers (Alternate Versions)—the latest offering of Tom Petty music, curated with help from his loving family, bandmates and collaborators—will be released on April 16 via Warner Records. The tracks, which were previously released on the limited-edition Super Deluxe 9-LP version of 2020’s Wildflowers & All The Rest, will now be available on limited edition gold vinyl for indie retail, and CD.  A black vinyl release will follow on May 7.

Finding Wildflowers (Alternate Versions) features 16 studio recordings of alternate takes, long cuts and jam versions of Wildflowers songs as Tom, band members and co-producer Rick Rubin worked to finalize the album in 1994. The release offers fans further deep access into the writing and recording of Wildflowers, as well as realizing the full vision of the project as Tom had always intended.

The collection was produced by Tom’s longtime engineer and co-producer Ryan Ulyate who listened to 245 reels of 24-track tape, revealing Tom and his collaborators’ evolutionary process, and finding the group willing to do whatever it took to discover the essence and magic in the material.

Arctic Monkeys and War Child UK are proud to announce the release of Arctic Monkeys - Live At The Royal Albert Hall. All proceeds from the album will go to War Child UK to help fill what could be up to a £2 million deficit they are facing in 2021 caused by the devastating impact of Covid-19 on their fundraising. These funds are urgently needed to support those who are worst hit by the virus. 

Recorded at the start of the band’s Tranquility Base Hotel + Casino tour, Arctic Monkeys - Live At The Royal Albert Hall, features 20 of the band’s finest moments to date.

“On June 7, 2018 we played a very special show at London’s Royal Albert Hall. All the proceeds from that memorable night were donated to War Child UK in support of the vital work they do protecting, educating and rehabilitating children who have experienced the trauma of conflict and the horror of war. The situation that was bad in 2018 is now desperate and those children and their families need our help more than ever. To enable War Child UK to reduce their funding deficit and continue their valuable work, we are happy to be able to release a live album, recorded that evening at The Royal Albert Hall. All proceeds will go direct to the charity. We thank all our fans in advance for their support of this release and in turn for their support of War Child UK” - Arctic Monkeys.

A 7” singles box set comprising all of Amy’s singles from the Frank, Back To Black and Lioness: Hidden Treasures albums. Tracks include ‘Stronger Than Me’, ‘Rehab’ and ‘Love Is A Losing Game’, all of which won the Ivor Novello Award for Amy in 2004, 2007 and 2008. The set also includes the Grammy Award winning ‘Body and Soul’, a duet with Tony Bennett. The singles are housed in individual picture sleeves and pressed on black vinyl. The box also features a 20-page lyrics booklet and a set of art cards.

Also Available: The Collection [5CD Box Set]

With touring paused, Billie Joe Armstrong got to work. He said, "While we’ve all been in quarantine I’ve been reflecting on the things that matter the most in my life. Family, friends and of course music. I figure if we have to spend this time in isolation at least we can be alone together." No Fun Mondays started by releasing a new cover every Monday on YouTube, now all 14 covers will now be in one place available on CD and Vinyl to be released on November 27th. The track list includes "I Think We're Alone Now," "That Thing You Do" & more.

This is the second volume of the Neil Young Archives. A series of box sets produced by Neil Young that provide a definitive, comprehensive chronological record of his entire body of released work.

This box set spans the years 1972 through 1976, a productive and prolific period for Neil that included the release of the classic albums On The Beach, Tonight’s The Night and Zuma. Homegrown is part of this history as well. The collection features many unreleased songs, plus unreleased alternate versions, different mixes, rare and live tracks from Neil Young solo, and with bands Crazy Horse, The Stray Gators, The Santa Monica Flyers and Crosby, Stills, Nash & Young.

Royal Blood is a mixture of anguished vocals, ferocious drumming and bass that provides intricate detail as well as a rumble of rhythm. The sound is a result of a lineage that stretches from present day heroes Queens of the Stone Age to the influential Led Zeppelin, and all the way back to early blues pioneers... yet this huge wall of sound emerges from just two members.

On June 20, 2000, Deftones released their third studio album, White Pony, which was immediately acclaimed as a masterpiece by fans and critics alike. Fueled by the successful singles "Change (In the House of Flies)" and "Digital Bath," the album is the band's highest selling album and is certified platinum by the RIAA. The band also won the 2001 Grammy for Best Metal Performance for the song "Elite."

In the 20 years since release, the album has continued to grow in stature and influence. Inspired by DJ Shadow's Entroducing..., Deftones had the idea to have DJ Shadow reimagine the entire White Pony album, and call it Black Stallion. Twenty years later, Deftones hand-picked a diverse and brilliant collection of artists, including DJ Shadow, to make that idea a reality.

White Pony (20th Anniversary Edition) is now being re-issued with Black Stallion as the bonus disc. Black Stallion is an album of newly commissioned remixes (all done in 2020) of the 11 tracks on the original release of White Pony. Black Stallion includes remixes of each of the individual 11 tracks from the original White Pony album by different artists including DJ Shadow, Robert Smith, Squarepusher and Mike Shinoda.

Features:
• 4LP pressed on black vinyl
• LP1 — White Pony 20th Anniversary Deluxe Edition LP
• LP2 — White Pony 20th Anniversary Deluxe Edition LP
• LP3 — Black Stallion (Remix Album) LP
• LP4 — Black Stallion (Remix Album) LP
• 12" x 12" Lithograph
• Full album download

Return to Greendale is the next installment in Neil Young’s Performance Series (#16) and features a concert (audio & on film) from the historic and unique 2003 tour supporting the release of the Neil Young with Crazy Horse album Greendale.

On the 2003 tour, Neil Young and Crazy Horse were joined on stage by a large cast of singers and actors to perform the story Neil Young wrote about the small town of Greendale and how a dramatic event affects the people living there. The ten songs from the powerful original album are performed in sequence, with the cast speaking the sung words - adding to the intensity of the performance.

The live album Return to Greendale is released on 11/6/20 in several formats: Double vinyl, a 2 CD set, and a limited-edition deluxe box set that includes a Blu-ray of the full concert, a DVD of Inside Greendale (the making of the album documentary), 2 LPs and 2 CDs.

The film of the ambitious live show captures the vibrancy of Neil Young and Crazy Horse on stage in a unique multi-media experience. It seamlessly blends together the live performance, the actors portraying each song, with the story occasionally enhanced by scenes from the Greendale - The Movie. 

Both the live concert film and the Inside Greendale documentary are directed by Bernard Shakey and produced by L. A. Johnson.

2LP Translucent Ruby Red Vinyl with Embossed Cover

The first release from Mr. Bungle since 1999. The Raging Wrath Of The Easter Bunny Demo is a re-recording of the band's 1986 high school thrash metal demo along with songs written then, but never recorded. The record also features covers of classics by S.O.D. and Corrosion Of Conformity. This version of Mr. Bungle is original members Mike Patton, Trey Spruance and Trevor Dunn, joined by Scott Ian of Anthrax and Dave Lombardo of Slayer/Dead Cross

Violet Bent Backwards Over the Grass is the title poem of the book and the first poem I wrote of many. Some of which came to me in their entirety, which I dictated and then typed out, and some that I worked laboriously picking apart each word to make the perfect poem. They are eclectic and honest and not trying to be anything other than what they are and for that reason I’m proud of them, especially because the spirit in which they were written was very authentic. — Lana Del Rey….The recording includes 14 poems performed by Lana Del Rey accompanied by music from Grammy Award-Winning songwriter/producer Jack Antonoff.

INDIE EXCLUSIVE RED : "This vinyl variant is red, one of the colors representing Justin's favorite team, The Chicago Cubs"

On August 20, 2020 the world lost an amazing light with the passing of Justin Townes Earle. Justin was a vibrant songwriter who could play the blues, country, and rock n roll all in the same song.  In his short career, Justin released eight albums and one EP that all manage to sound classic and yet inventive.

Justin's father, Steve Earle, pays tribute to his son by recording an album of songs written by Justin titled, J.T.  The album consists of ten Justin Townes Earle songs as well as one song written by Mr. Earle shortly after Justin's passing. J.T. features fan favorites such as "Harlem River Blues," "Far Away In Another Town" and "Champagne Corolla" along with lyrically heavy songs like, "The Saint of Lost Causes" and "Turn Out My Lights."

J.T. is a loving tribute to a loved son and beautiful songsmith who left this earth too early.  But in his wake, Justin left a wealth of beauty.  All proceeds from this release will be put into a trust for Justin’s 3 year old daughter, Etta.

Two 140 Gram LPs, Transparent Inner Sleeves, 16 Page 12”x 12” booklet, Gatefold Jacket, Side 4 Etching

Letter To You is Bruce Springsteen’s new studio album with the E Street Band, and is a rock album fueled by the band's heart-stopping, house-rocking signature sound. Recorded at his home studio in New Jersey, Letter To You is Springsteen’s 20^th studio album, and is his first album including the E Street Band since 2012’s High Hopes and their first performances together since 2016’s The River Tour.

“I love the emotional nature of Letter To You,” says Springsteen. “And I love the sound of the E Street Band playing completely live in the studio, in a way we’ve never done before, and with no overdubs. We made the album in only five days, and it turned out to be one of the greatest recording experiences I’ve ever had.”

Letter to You includes nine recently written Springsteen songs, as well as new recordings of three of his legendary, but previously unreleased, compositions from the 1970s, “Janey Needs A Shooter,” “If I Was The Priest,” and “Song For Orphans.” Springsteen is joined on Letter To You by Roy Bittan, Nils Lofgren, Patti Scialfa, Garry Tallent, Stevie Van Zandt, Max Weinberg, Charlie Giordano and Jake Clemons. The album was produced by Ron Aniello with Bruce Springsteen, mixed by Bob Clearmountain and mastered by Bob Ludwig.

Medicine at Midnight is the new album from Foo Fighters, and packs nine new songs into a tight-ass 37 minutes. This collection includes the smoldering new single, “Shame Shame.” Medicine at Midnight is produced by Greg Kurstin and Foo Fighters, and is the band’s 10^th album.

Foo Fighters are Dave Grohl, Taylor Hawkins, Nate Mendel, Chris Shiflett, Pat Smear, and Rami Jaffee.

Winter Is For Lovers was a lifetime in the making... a solo lap-steel guitar piece incorporating elements of delta blues, flamenco, and even Satie-like minimalism, this work resonates with lyrical virtuosity, originality and soul. In some ways Winter Is For Lovers is a love letter to Ben Harper’s longtime fans who have always revered his guitar virtuosity; it’s the record they always wanted him to make. For many other music lovers, this record is a revelation, an unknown side to a celebrated artist showing a sense of meticulousness, depth and music history that will add new dimensions to an already renowned career.

As a child, before Ben Harper was even playing music, he sat at the feet of folk luminaries like Rev Gary Davis, John Fahey, Ry Cooder and others in his grandparents Folk Music Center in Claremont, CA, soaking up their influence and passion for pure guitar music. As a teenager, while discovering his own musical gifts, he was repairing guitars and being mentored by many of these artists, most notably, Taj Mahal. While his musical path has taken him to worldwide fame playing rock and roll, and many other idioms, that pure guitar music has always been central to his musical heart.

Ultimately, Winter Is For Lovers is a very personal statement from Ben Harper, drawing from the bountiful garden of his earliest musical impressions and propelling him into the future with an elegiac masterpiece.

In 2018, Margo Price claimed her rock star status at the Mother Church of Country Music. She was headlining the Ryman Auditorium for the first time ever, in a sold-out run of three nights that she had admittedly spent more time planning than her wedding. Now, Margo revisits the career-changing residency with the release of a new live album, Perfectly Imperfect at The Ryman. With special guest appearances from Jack White, Emmylou Harris and Sturgill Simpson! Limited Pressing Double LP

“These songs should make you want to fall in love with somebody, or miss somebody, or want to do something outrageous with your life,” says Justin Furstenfeld, vocalist and lyricist for the unstoppable alt-rock band Blue October. He’s talking about the tracks on the quintet’s tenth studio album, This Is What I Live For, releasing in September 2020. The first single, ‘Oh My My,’ is sure to make a lasting impression.

Bon Jovi’s new album 2020 is the 15th studio album from the Rock & Roll Hall of Fame band. The album, due out Oct 2nd, features the new single “Limitless” as well as “Unbroken,” which was featured in the documentary “To Be Of Service”. 2LP pressed on 180-gram gold vinyl.

The Drive-By Truckers Austin City Limits performance was recorded on September 23, 2008 during their Brighter Than Creation’s Dark tour. The band lineup featured Patterson Hood, Mike Cooley, Shonna Tucker, John Neff, Brad Morgan and Jay Gonzalez. Lauded by fans as an instant classic and hailed by Patterson Hood as the band’s best filmed performance to date, this acclaimed recording is now on vinyl for the first time ever. Pressed on 180g vinyl, this 2xLP package features a new alternate cover printed on a high quality gatefold jacket.

Live Around The World [Vinyl] is their First Live Album On Double LP!

Half-Speed Mastered at Abbey Road Studios!

Since their first appearance together in 2009 when Queen members Brian May and Roger Taylor appeared as guests on the finale of the eighth season of American Idol on which Adam Lambert was a contestant, the combination of Queen + Adam Lambert has gone from strength to strength becoming one of the world's biggest drawing touring bands. Their most recent tour of Oceania saw them selling out to massive audiences, with a single show at Sydney's ANZ stadium drawing a record crowd of over 60,000. To date the band has played to a worldwide audience approaching 4 million.

The set presents a compilation of concert highlights captured the world over personally selected by Taylor, May and Lambert from over 200 shows they have performed with several featured here becoming available for the very first time.

FEATURES:

• Double LP
• Half-Speed Mastered at Abbey Road
• Includes entire 'Live Aid' performance from Fire Fight Australia

Queen & Adam Lambert Live Around The World Half-Speed Mastered 2LP

2020 release. The Times is a moving and topical solo acoustic performance, a unique collection of songs, filmed at home during lockdown as part of the raw and personal, Fireside Sessions series.

The first-ever official anthology of recordings from the iconic rock duo, Jack and Meg White, is an essential career-spanning collection highlighting 26 previously released songs. From late Nineties flashes of brilliance through early 2000s underground anthems, masterful MTV Moon Man moments, Grammy-grabbing greatness, and worldwide stadium chants, the songs here are as wide-ranging as you can imagine. In an era of streaming where the idea of a “Greatest Hits” album may seem irrelevant – that an act’s most streamed songs are considered their de facto “hits” – we wholeheartedly believe that great bands deserve “Greatest Hits” and that a large part of Third Man Records’ and The White Stripes’ successes have been built on zigging when the rest of the music business is zagging. Thus, for a great band with great fans, a greatest hits compilation for The White Stripes is not only appropriate, but absolutely necessary.

Prince’s iconic album,Sign O’ The Times, has been remastered for the very first time by Prince’s original mastering engineer Bernie Grundman.

• LP1-2: Sign O’ The Times album (2020 Remaster)
• LP3-4: 13x singles mixes and edits, all newly remastered

With touring paused, Billie Joe Armstrong got to work. He said, "While we’ve all been in quarantine I’ve been reflecting on the things that matter the most in my life. Family, friends and of course music. I figure if we have to spend this time in isolation at least we can be alone together." No Fun Mondays started by releasing a new cover every Monday on YouTube, now all 14 covers will now be in one place available on CD and Vinyl to be released on November 27th. The track list includes "I Think We're Alone Now," "That Thing You Do" & more.

Double 180gm vinyl LP pressing. The groundbreaking debut score from Trent Reznor and Atticus Ross. Winner of the 2010 Academy Award for Best Original Score.

Medium Rarities is the first rarities collection from Mastodon covering their entire career. The compilation features one brand new song – “Fallen Torches”. It also includes a bevy of classic covers, soundtrack contributions, instrumentals, B-sides, and live recordings on one complete package for the very first time. Among an eclectic array of covers, the musicians tackle “A Commotion” by Feist, “A Spoonful Weighs A Ton” by The Flaming Lips, “Atlanta” by Butthole Surfers, and “Orion” by Metallica. It also features soundtrack cuts such as “White Walker”[from the Game of Thrones inspired mix tape] and the soundtrack song “Cut You Up With A Linoleum Knife” [Aqua Teen Hunger Force]. Meanwhile, they get under the hood with instrumental versions of “Asleep in the Deep,” “Toe To Toes,” “Jaguar God,” and “Halloween.”   

Limited 11 vinyl LP set. Includes fully remastered studio album plus 20 page booklet. 9 track b-sides, out-takes and alternate versions. Elevation Live From Boston 19 track set. 5 x 12" featuring 11 remix singles including 4 previously unreleased. 32 page hardback book by long-time U2 collaborator Anton Corbijn featuring previously unseen photos. Double-sided poster. Digitally remastered 20th Anniversary edition. The forever-evolving U2 looked back to their anthemic, passionate '80s classics on their 10th studio album, even as they took what they'd learned in the '90s and had maximum fun with studio production (aided ably here by Brian Eno and Daniel Lanois). It didn't hurt that Bono and co. Had their best batch of songs in years at the ready; all this combined to catapult All That You Can't Leave Behind to #1 in 32 countries.

Experience Hendrix announces a brand new collection that couples the new feature length documentary Music, Money, Madness . . . Jimi Hendrix In Maui with the accompanying live performances on both audio and video. The film chronicles the Jimi Hendrix Experience’s storied visit to Maui, and how the band became ensnared with the ill-fated Rainbow Bridge movie and incorporates never before released original footage and new interviews. The Blu-ray will include the full documentary film plus all the footage from the two afternoon performances captured on July 30, 1970 mixed in both stereo and  5.1 surround sound.  Also included in the package will be Live In Maui – A 3LP set featuring Hendrix, Billy Cox, Mitch Mitchell at the height of their playing powers,newly restored and mixed by longtime Hendrix engineer Eddie Kramer. 

Double 180gm vinyl LP pressing. 2020 release from the acclaimed country music singer/songwriter. The album has 14 new tracks and is Chris's first studio album of new material since 2017. Features the single "Starting Over". Chris has received five Grammy Awards, seven ACM Awards, ten CMA Awards, and five Billboard Music Awards to date and with his first three album he has sold over eight million albums to date, including his debut album Traveller which has sold over four million copies.

The Third Gleam marks a return to the Avett Brothers’ roots, both sonically and with Seth & Scott playing as a trio with longtime bassist Bob Crawford. The eight tracks capture their personal experiences and perspectives on undeniably timely, universal themes: isolation, gun violence, incarceration, historical prejudice, mortality, resilience, love, hope, redemption. 12 years in the making, this is the third installment of the brothers’ ongoing Gleam series.

In the five years since Will Butler released his debut album, Policy, he’s toured the world both solo and as a member of Arcade Fire, released the Friday Night live album, recorded and released Arcade Fire’s international #1 album Everything Now, earned his master’s degree in public policy from Harvard, hosted a series of touring town halls on local issues (police contracts, prison reform, municipal paid sick leave, voting rights), and spent time raising his three children. 

He also found the time and inspiration to write and record a new album, Generations.

“My first record, Policy, was a book of short stories,” Butler says. “Generations is more of a novel—despairing, funny, a little bit epic… A big chunk of this record is asking: What’s my place in American history? What’s my place in America’s present? Both in general—as a participant, as we all are, in the shit that’s going down—but, also extremely particularly: me as Will Butler, rich person, white person, Mormon, Yankee, parent, musician of some sort, I guess. What do I do? What can I do? The record asks that question over and over, even if it’s not much for answers.”

While the songs on Generations contain their fair share of dread and regret, there is ultimately a lightness that shines through Butler’s music. That brightness is at its most intense when he and his solo band—Miles Francis, Sara Dobbs, and Julie and Jenny Shore—perform on stage. Their electricity is palpable throughout Generations, with the bulk of the new songs having been worked out live. Wild synth production—gnarly bass synths with live drums—and anthemic backing vocals as on first single “Surrender” are punctuated by intimate, direct moments: Butler’s voice cracking on “Fine” as he conjures his ancestors, and “Promised,” a meditation on friendship, how lives are built together, and how and why they drift apart.

Generations was recorded and produced by Butler in the basement of his home in Brooklyn. Tracking finished in March 2020, as New York closed down for the pandemic. Half the record was mixed in Montreal by longtime Arcade Fire engineer Mark Lawson, the other half by Brooklyn-based producer Shiftee (who is, incidentally, bandmate Julie Shore’s husband and Will’s brother-in-law).

Generations opens a dialogue with the world. It posits answers—and deals with those answers being refuted. Ultimately, it navigates the conversation as a way to find the truth… or at least a way forward.

ROGER WATERS: US + THEM, chronicles the acclaimed 2017-2018 tour of the iconic Pink Floyd artist. As the founding member, lyricist, composer and creative force behind Pink Floyd, US + THEM presents Waters powerful music in stunning form and highlights its’ message of human rights, liberty and love. Based around his acclaimed, sold-out US + THEM worldwide tour of 2017-18, comprising a total of 156 shows to 2.3 million people across the globe, it features classic songs from The Dark Side of the Moon, The Wall, Animals, Wish You Were Here as well as his most recent album, Is This The Life We Really Want?

Waters powerfully demonstrates that he is at heart, a musical activist and one of the most passionate political commentators of his time. He has dedicated his life to fighting against those who seek to control our lives and destroy our planet. Welcome To The Machine and Another Brick In The Wall Part II, are a stark reminder of the bleak warnings that he gave decades ago about alienation, displacement, greed, suffering, destruction and loss. And yet the humanity of the songwriter cannot be more plainly seen than in Wish You Were Here, because, although he presents a grim picture of the state of the world, ultimately his message is one of hope through unity and love.

The definitive new Best Of John Lennon - 19 tracks on 2 LPs completely remixed from the original master tapes giving these classic songs a new life for generations to come and sounding better than ever before. Double LP on 180-gram vinyl. Contains 8 page booklet, fold-out double sided poster and GIMME SOME TRUTH. bumper sticker.

2 LP GATEFOLD.

8 PAGE BOOKLET, 1 FOLD OUT POSTER, 1 BUMPER STICKER.

19 TRACKS IN STEREO.

Released in October 2000, Linkin Park’s groundbreaking debut album ​Hybrid Theory​ is a melting pot of heavy alternative rock, hip-hop and electronic flourishes that inspired a new genre of music and a generation of dedicated fans, who continue to be loyal followers of the band. Additionally, the band’s sound influenced many young bands who related to the intense and emotional musical style. ​Hybrid Theory​ was the best-selling album of 2001 in the US and has since exceeded 11 million album sales in the US, qualifying for the rare Billboard “Diamond” award.

Hybrid Theory’s​ success was supported by intensive touring, and three successful singles: “One Step Closer,” “Crawling,” and “In The End.” The band won their first Grammy Award for “Crawling” as Best Rock Performance.

To celebrate 20 years since the original release, ​Hybrid Theory​: ​20​th​ Anniversary Edition ​will be released on October 9​th​, 2020. The flagship format is a super-deluxe edition box set that includes unreleased and hard-to-find material on CD, vinyl and DVD. The box set also includes a lavishly illustrated 80-page book with contributions from the band and many previously unseen photographs, plus a replica tour laminate,an oversize poster of Chester Bennington, and 3 lithographs of new artwork supplied by Mike Shinoda, Joe Hahn and Frank Maddocks (the art director on the original release, and this anniversary edition).

Harry’s House is the third solo studio album from Grammy award-winning global superstar Harry Styles. The 13-track full-length album was recorded in multiple locations across the UK, Los Angeles and Tokyo from 2020 to 2021. It was written by Harry alongside frequent collaborators Kid Harpoon, Tyler Johnson, and Mitch Rowland.

Iconic singer Mavis Staples is an alchemist of American music, and during her 70+ year career one of her most beloved musical moments was her riveting performance in Martin Scorsese's film' The Last Waltz,' performing "The Weight", with The Band, a moment that forged a life-long friendship between her and Levon Helm. Staples came to Woodstock, NY to perform as part of Helm's renowned Midnight Ramble series, and the ensuing concert-available now for the first time on the rousing new ANTI- Records release 'Carry Me Home'-would mark a personal high watermark for both artists. Captured live in the summer of 2011, 'Carry Me Home' showcases two of the past century's most iconic voices coming together in love and joy, tracing their shared roots and celebrating the enduring power of faith and music. The setlist was righteous that night, mixing vintage gospel and soul with timeless folk and blues, and the performances were loose and playful, fueled by an ecstatic atmosphere that was equal parts family reunion and tent revival. Read between the lines, though, and there's an even more poignant story at play here. Neither Staples nor Helm knew that this would be their last performance together-the collection marks one of Helm's final recordings before his death-and listening back now, a little more than a decade later, tunes like "This May Be The Last Time" and "Farther Along" take on new, bittersweet meaning. The result is an album that's at once a time capsule and a memorial, a blissful homecoming and a fond farewell, a once-in-a-lifetime concert-and friendship-preserved for the ages. Staples and the night's soulful crew of backup singers handle the vast majority of the vocal work here, but it's perhaps album closer "The Weight," which features Helm chiming in with lead vocals for the first time, that stands as the concert's most emotional moment."It never crossed my mind that it might be the last time we'd see each other," says Staples. "He was so full of life and so happy that week. He was the same old Levon I'd always known, just a beautiful spirit inside and out." "My dad built The Midnight Rambles to restore his spirit, his voice, and his livelihood," says Helm's daughter, Amy, who sang backup vocals with her father and Staples at their performance. "He'd risen back up from all that had laid him down, and to have Mavis come sing and sanctify that stage was the ultimate triumph for him."

In May of 1957, Art Blakey and his Jazz Messengers went into the studio with Thelonious Monk to record a one-off album for Atlantic. The Jazz Messengers were a loose collective of young Jazz musicians, with a constantly rotating lineup to keep the music fresh and help launch new careers. In this iteration we find Art Blakey on drums, Thelonious Monk on piano, Johnny Griffin on tenor saxophone, Bill Hardman on trumpet and Spanky DeBrest on bass. -Blakey had recorded with Monk on various occasions, but this was the first time Monk sat in with the Jazz Messengers. This also marks Thelonious Monk’s only appearance on Atlantic Records. The result is a true meeting of the minds, a beautiful union of Monk’s melodies with Blakey’s unshakable sense of swing. This 65thAnniversary deluxe edition includes an extra disc ofunreleased outtakes, celebrating the most sensational jazz collaboration of the 1950s.

With its latest album, Fortune Favors The Bold, Russell County, Virginia-based 49 Winchesteris ready and roaring to break onto the national scene with its unique brand of tear-in-your-beer alt-country, sticky barroom floor rock-n-roll, and high-octane Appalachian folk.

Fortune Favors The Boldis not only a record that showcases the current state of 49 Winchester, it’s a melodic stake in the ground of how this group is constantly evolving and taking shape, sonically and lyrically. But, it’s also about looking into the rearview mirror with a genuine appreciation for where you came from and what you’re made of. Those salt-of-the-earth traits in your blood and character that define what it actually takes to climb that damn mountain of dreams. At its essence, Fortune Favors The Boldis about going against all odds to bring your art into fruition and into the world - come hell or high water.

Debut Album Solidifies Mallrat's Reputation as a Master of Clever, Timeless Pop

Available On Limited Edition [COLOR] Vinyl + CD Mallrat's prized pop songwriting has become a beacon the music industry eagerly follows, and on her debut album Butterfly Blue, she embodies the spirit of it's titular creature - but without the delicacy that keeps you at a distance. Over a dozen clever and open-hearted tracks, Mallrat - aka Grace Shaw - draws you in close and shows you the world through her wide, hopeful eyes.

The Gods We Can Touch is an elegant and celestial but provocative album about shame, desire and morality, all seen through the narrative prism of Greek mythology. In each of the album's fifteen songs we meet a different god. Featuring lead single "Cure For Me," the album is ultimately "a celebration of being human, and what makes us human."

The 2 CD companion piece to Sheryl Crow's forthcoming feature documentary, Sheryl, featuring 35 songs spanning 3 decades of music from the 9-time GRAMMY Award winner. 3 new songs are included with her hits "If It Makes You Happy," "Soak Up the Sun," "All I Wanna Do," "My Favorite Mistake," "Redemption Day," and many more! Sheryl Crow has sold more than 35 million albums worldwide.

The multi-instrumentalist duo that comprises Hermitude - Luke Dubber (aka Luke Dubs) and Angus Stuart (aka El Gusto) holed up together in Angus' home with a pared-back music setup, they began a process that was all about taking back control over how and why they make music as Hermitude. The duo recorded vocal sessions in-person to create a more intimate experience. You can hear it in the way the drums coil themselves around the closely recorded vocals of "When U Feel Like This (feat. The Jungle Giants)," or the confidence in "Promises (feat. Andie)" that allows her voice to soar into the upper octaves easily. This control over their process led to a loosening of their creative inhibitions. A year and a half later, Mirror Mountain was finished. The album acts as a reawakening, a place to draw strength as time goes by. "The production quality & mixing all around is super clean and polished, it's delectable to the ears." - Banger Sound

Ukulele Songs comprises a fine mixture of original material penned by Vedder that he initially performed live, alongside vintage classics and standards. A recast, uke-driven version of "Can't Keep," which originally appeared as the opening track on Pearl Jam's hard-charging November 2002 album Riot Act, opens the proceedings, while newer-bred original songs like the resigned lament of "Sleeping By Myself," the charming love orbit of "Satellite," the hopeful brightness of "Light Today," and the instrumental interlude "Waving Palms" all set the table for the 35-minute album.

Guest vocalists appear on a pair of key Ukulele tracks, both of them fine covers of notable standards. First, Glen Hansard (The Frames, Once) adds his Irish folk DNA to "Sleepless Nights," which was written by Felice and Boudreaux Bryant and remade by The Everly Brothers in 1960, in addition to later being covered by the likes of Emmylou Harris, Patty Loveless, and Elvis Costello.

Second, Cat Power lends her passionate tone to "Tonight You Belong To Me," a jazz standard written in 1926 by lyricist Billy Rose and composer Lee David. This track has also been subsequently covered by the likes of Frankie Laine, Patience and Prudence, and Dottie West. Versions of "You Belong To Me" were also recently featured in the acclaimed 2019 film drama Blackbird and in an episode of the 2020 HBO horror-drama series Lovecraft Country.

The LP's other noteworthy covers include stirring takes on Billy Rose and Edward Eliscu's "More Than You Know," Michael Edwards and Bud Green's "Once In A While," and the album-closing reading of Fabian Andre, Wilbur Schwandt, and Gus Kahn's "Dream A Little Dream."

Produced by Eddie Vedder and Adam Kasper (Foo Fighters, Soundgarden), Ukulele Songs peaked at No. 4 on the U.S. Billboard 200, hit No. 2 on the U.S. Top Rock Albums on Billboard, and achieved Gold status in Canada.

EDDIE VEDDER / UKULELE SONGS

A Quick One was released in 1966, containing experimental music Suite (a nod to Rock Operas that were to follow). The album contains “Boris the Spider”, “Don’t Look Away” & has been mastered by long time Who engineer Jon Astley from the original tapes. Packaged in original sleeve with obi & certificate of authenticity, this black vinyl version is engineered by Miles Showell at Abbey Road Studios with a half-speed mastering technique which produces a superior vinyl cut.

Love & Algorhythms is an interstellar synthesis of astral Soul, R&B, and sci-fi Funk. Working with producer Paul Butler (The Bees, Micheal Kiwanuka, Caroline Rose, Hurray for the Riff Raff), Seratones have taken the invitation to knock at the door of the cosmos. A.J. Haynes’s voice dances with soul-stirring devotion at the altar of Black Feminisms: weaving the words Toni Cade Bambara, Octavia Butler’s Xenogenesis multiverse, echoes of bell hooks, and Audre Lorde’s Power of the Erotic. With drummer Jesse Gabriel’s machine-like precision and the transcendental touches from guitarist Travis Stewart, the album oscillates between Alice Coltrane-inspired bliss & Giorgio Moroder’s ecstatic release. Each song hovers and pulsates in the wide, dark matter—constellations guiding a journey through the subtle body, the vast fullness of the human experience and the irresistible potential of liberation.

Scheduled for release in April 2022, the 10-song sophomore full-length album showcases Kirke’s unselfconscious, country-twinged vocals alongside a brightly colored candy shop of glam-twang guitar riffs, department store tv commercial synth stylings, and swooping, lilting, unabashedly feminine background vocals. Lady For Sale channels a high-spirited insouciance that feels invigorating and familiar, decidedly more easy-going and fun-loving than what we’ve come to expect from its genre (and the world in general) in recent years. This is a party you’ll want to attend.

Norah Jones’ seminal debut album, Come Away With Me, became a global phenomenon reaching #1 in 20 countries, selling nearly 30 million copies, and sweeping the 2003 GRAMMY Awards with 8 wins including Album of the Year, Record of the Year, Song of the Year, and Best New Artist. The remastered 20th Anniversary Edition captures the emergence of a singular talent on this now-classic album.

"On Silver color vinyl. Toro y Moi’s seventh studio album, Mahal, is the boldest and most fascinating journey yet from musical mastermind Chaz Bear. The record spans genre and sound—encompassing the shaggy psychedelic rock of the 1960s and ‘70s, and the airy sounds of 1990s mod-post-rock—taking listeners on an auditory expedition, as if they’re riding in the back of Bear’s Filipino jeepney that adorns the album’s cover. But Mahal is also an unmistakably Toro y Moi experience, calling back to previous works while charting a new path forward in a way that only Bear can do.

Mahal is the latest in an accomplished career for Bear, who’s undoubtedly one of the decade’s most influential musicians. Since the release of the electronic pop landmark Causers of This in 2009, subsequent records as Toro y Moi have repeatedly shifted the idea of what his sound can be. But there’s little in Bear’s catalog that will prepare you for the deep-groove excursions on Mahal, his most eclectic record to date.
The second the album begins we’re immediately transported into the passenger seat, jeep sounds and all, ready for the ride Chaz and company have concocted for us. Seeds of some of Mahal’s 13 songs date back to the more explicitly rock-oriented What For? from 2015. Mahal was mostly completed last year in Bear’s Oakland studio with the involvement of a host of collaborators, Sofie Royer and Unknown Mortal Orchestra’s Ruban Neilson to Neon Indian’s Alan Palomo and the Mattson 2.

“I wanted to make a record that featured more musicians on it than any other record of mine,” he explains. “To have them live on that record feels grounded, bringing a communal perspective to the table.” As a result, Mahal is lush and surprising at every turn, from the cool-handed “The Loop,” which recalls Sly and the Family Stones, to the elastic psych rock of “Foreplay” and the dizzying Mulatu Astatke- recalling of “Last Year.”
Lyrically, the album zooms in on generational concerns, picking up where the Outer Peace standout “Freelance” effectively left off. Bear seems to be surveying the ways in which we connect with technology, media, each other, and what disappears as a result. Cuts like the squishy “Postman” and the “Magazine” take a deep dive into our relationship with media in a changing digital world. “It’s interesting to see how we adapt to this new age. We’re so connected, but we’re still missing out on things,” Bear ruminates while discussing the album’s themes.

It’s not all introspection. Bear cools things down near the album’s end with the Mattson 2-featuring “Millennium,” a laid-back jam with tricky guitar licks about ringing in new times even when everything else seems upside down. “It’s about enjoying the new year, even when it’s been shitty,” Bear explains. “There’s nothing else to do.” Finding a sense of joy in the face of adversity is embedded in Mahal’s DNA, right down to the jeepney that literally and figuratively brings the music out into the community. “We know that touring is messed up for now, and large gatherings are a fluke,” he explains. “It’s about the notion of us going out to the people and bringing the record to them.” And with the wide-open atmosphere of Mahal, Toro y Moi stands to connect with more listeners than ever before."

Trombone Shorty returns with Lifted, his first album in 5 years and the follow-up to his Blue Note debut Parking Lot Symphony, featuring special guests including vocalist Lauren Daigle & guitarist Gary Clark Jr. An album that captures the energy of his legendary live shows, Lifted combines classic New Orleans sounds (funk, gospel, street rhythms, Mardi Gras Indian chants & second lines) with modern lyrics, melody & beats to create something fresh & unique. Part Jimi Hendrix, part James Brown and all New Orleans, Troy “Trombone Shorty” Andrews is the bandleader and frontman of Trombone Shorty & Orleans Avenue, a hard-edged funk band that employs brass-band beats, rock dynamics & improvisation in a jazz tradition.

2020's A Hero's Death saw Fontaines D.C. land a #2 album in the UK, receive nominations at the GRAMMYs, BRITs and Ivor Novello Awards, and sell out London's iconic Alexandra Palace. Now the band return with their third record in as many years: Skinty Fia. Used colloquially as an expletive, the title roughly translates from the Irish language into English as 'the damnation of the deer'; the spelling crassly anglicized, and its meaning diluted through generations. Part bittersweet romance, part darkly political triumph - the songs ultimately form a long-distance love letter, one that laments an increasingly privatized culture in danger of going the way of the extinct Irish giant deer.

Nearly sixty years after they first played together, Ry Cooder and Taj Mahal, longtime friends and collaborators, reunite with an album of music from two Piedmont blues masters who have inspired them all their lives: GET ON BOARD: THE SONGS OF SONNY TERRY & BROWNIE MCGHEE.

With Taj Mahal on vocals, harmonica, guitar, and piano and Cooder on vocals, guitar, mandolin, and banjo-joined by Joachim Cooder on drums and bass-the duo recorded eleven songs drawn from recordings and live performances by Terry and McGhee, who they both first heard as teenagers in California.

TAJ MAHAL & RY COODER - GET ON BOARD

The greatest bassist leader jazz has ever known, Charles Mingus, with his spirited playing and spontaneity, always kept his ears and fingers on the pulse. “Mingus was something else, man,” Miles Davis wrote in his own book. “A pure genius, I loved him.”-This year marks the birth centenary of Charles Mingus, whose musical legacy is still ongoing. From artists like Kamasi Washington bringing him to a new generation, Chrissie Hynde, whose latest album includes a Mingus cover, Candace Springs, Elvis Costello, to Gang Starr sampling him, and Joni Mitchell writing lyrics to his music. -Originally released in 1957 on the Jubilee label, Mingus Three is one of only two albums led by Mingus in a trio setting, featuring pianist Hampton Hawes and drummer Dannie Richmond. This remastered release includes a whole extra disc of previously unreleased outtakes, discovered by chance, from these sessions, as well as liner notes by Charles Mingus’ friend and colleague Sy Johnson.

Genesis of Genius: The Contemporary Albums combines legendary Jazz saxophonist Ornette Coleman's albums for Lester Koenig's Contemporary Records. This deluxe box set features Coleman's first albums as a bandleader, Something Else!!! and Tomorrow is the Question!. Both albums were originally recorded by legendary engineer Roy DuNann & have been newly mastered by Bernie Grundman. Includes 32-page booklet with photos & extensive new liner notes by GRAMMYr Award-winning music historian Ashley Kahn.

On his first album in partnership with Verve Records, Kurt Vile pulls his talents as a singer, songwriter, multi-instrumentalist, and producer in unexpected directions — and the result is a vibrant, yet meditative record propelled by laid-back charm and curious spirit.

Boston 1971: Historic early recording of Aerosmith in their rehearsal room – just the band, crew, and friends captured on Joe Perry's tape recorder. This never-before-heard performance showcases the early, raw talent of this future Hall Of Fame band, one year before signing to Columbia Records and two years before their eponymous debut, which featured many of these songs, including their enduring anthem" Dream On."

Every Lucius song is an act of enchantment, a spell cast by the indelibly harmonized voices of Jess Wolfe and Holly Laessig. Onstage, the performance becomes an invitation to be witness to their transformation; the dance between two individuals becoming one voice, one vision and bound by psychic symmetry. And while the effect of this spectacle is hypnotic and gloriously strange, the songwriting continues to be the hand that reaches out from behind the curtain to hold the audience, bringing together everything that makes you nostalgic for the past, while looking to the future. After spending 4 years touring their critically-acclaimed albums Wildewoman and Good Grief with bandmates Dan Molad and Peter Lalish, they toured the world singing on Roger Waters’ Us and Them Tour. Lucius continue to earn adoration from fellow musicians, with Wolfe and Laessig lending their vocals to albums by artists as eclectic as Nathaniel Rateliff, Harry Styles, Sheryl Crow, John Legend, Ozzy Osborne and The Killers.

Country/Bluegrass album, Run, Rose, Run that will be released along with a novel co-written with the famed author, James Patterson, sharing the title Run Rose Run. The 12 songs were inspired by the book storyline and feature Country and Bluegrass artists; Joe Nichols, Rhonda Vincent, The Issacs, and Dailey & Vincent. Dolly & James will be doing book and album promotions together - presenting a unique co-marketing opportunity.

This is a color LP that features alternative packaging from the standard LP. The LP package also includes a download of the full album that includes two exclusive bonus tracks. 

Luther and Cody Dickinson started North Mississippi Allstars in 1996 as a loose collective of like-minded second-generation musicians who shared a local repertoire and regional style. Over the years the lineup shifted by design, and each NMA record offered up a different combination of collaborators. Set Sail finds the brothers working with Jesse Williams on bass and Lamar Williams, Jr. for the first time. 

Set Sail, North Mississippi Allstars’s thirteenth album, follows 2019’s Up and Rolling, which was nominated for a Grammy Award for the Best Contemporary Blues Album in 2021. Set Sail continues the band’s tradition of creating roots music that displays remarkable variety. With their latest record, NMA are able to build upon their self-described sound of Primitive Modernism - a melding of the new and the old, traditional and futuristic, crafted lyrics and improvisational music.

50th Anniversary Edition features direct-to-analog mastering from the original tapes by Kevin Gray. Included are 4 rare cuts making their vinyl debut, highlighted by the “stripped” version of the title song, plus six mono single mixes and B-sides. Pressed on 180-gram 2 LP in a tip-on heavy stock gatefold jacket with printed sleeves featuring lyrics, track details, a brief essay honoring arranger David Van De Pitte, and main essay by poet Hanif Abdurraqib.

Acclaimed singer, songwriter and musician Molly Tuttle will release her anticipated Nonesuch Records debut, Crooked Tree, April 1 (on CD and digital. LP will be May 13) with her new bluegrass collective Golden Highway.

Recorded live at Nashville’s Oceanway Studios, Crooked Tree was produced by Tuttle and Jerry Douglas and features collaborations with Sierra Hull, Old Crow Medicine Show, Margo Price, Billy Strings, Dan Tyminski and Gillian Welch. The album explores Tuttle’s love of bluegrass, which she discovered through her father, a music teacher and multi-instrumentalist, and her grandfather, a banjo player. Across these thirteen tracks, all of which were written/co-written by Tuttle, she honors the bluegrass tradition while also pushing the genre in new directions.  

“I always knew I wanted to make a bluegrass record someday,” Tuttle says. “Once I started writing, everything flowed so easily: sometimes I’ve felt an internal pressure to come up with a sound no one’s heard before, but this time my intention was just to make an album that reflected the music that’s been passed down through generations in my family. I found a way to do that while writing songs that feel true to who I am, and it really helped me to grow as a songwriter.”

In celebration of the new music, Tuttle and Golden Highway—Bronwyn Keith-Hynes (fiddle), Dominick Leslie (mandolin), Shelby Means (bass) and Kyle Tuttle (banjo)—will embark on an extensive headline tour beginning tonight with shows at Seattle’s Tractor Tavern (two nights), Portland’s Mississippi Studios (two nights), Los Angeles’ Roxy, Salt Lake City’s State Room, Boulder’s Fox Theatre, Asheville’s The Grey Eagle and Nashville’s Station Inn, among several others. Full details can be found at mollytuttlemusic.com/tour.   

In addition to Tuttle (vocals, guitars), Douglas (dobro), Keith-Hynes (fiddle) and Leslie (mandolin), Crooked Tree also features musicians Darol Anger (fiddle), Ron Block (banjo), Mike Bub (upright bass), Jason Carter (fiddle), Viktor Krauss (upright bass), Todd Phillips (upright bass) and Christian Sedelmyer (fiddle) with additional harmony vocals from Tina Adair, Lindsay Lou and Melody Walker.

Michael Buble’s 2022 album Higher catapults the star’s enormous talent into the stratosphere as he continues his ongoing journey reinventing and interpreting the music of America’s most beloved standards amongst others. Fitting perfectly throughout these gems are a handful of Buble’ originals that further cement his gift for writing and performing great pop tunes and luscious ballads. An irresistible and uplifting collection from the ultimate romantic once again reminds us that the thrill of exploring the subject of love and romance continues inspiring this artist and the world. The definitive Buble’ masterpiece for sure.

All Them Witches are known for their loud and lengthy live shows. 2020 found the band releasing their critically acclaimed album, Nothing As The Ideal. An album release from this band would traditionally be followed by a lengthy 18-month tour across the globe. Due to an international pandemic, the band’s touring plans were brought to a halt. This did not stop All Them Witches from assembling in a studio to broadcast a live set for their fans. The set was roundly received as an amazing performance and fans immediately inquired as to whether or not this show would be available outside of the broadcast. New West Records is proud to present All Them Witches - LIVE ON THE INTERNET.

Celebrating the 50th anniversary of the Mothers Of Invention’s ‘71 line-ups, the complete Fillmore tapes are showcased with every note played over 4 shows, including the John Lennon/Yoko Ono encore, majority of tracks are newly mixed. Additionally, the full concert from the Rainbow Theatre in London where FZ was infamously pushed off the stage is newly mixed by Eddie Kramer. The box also features a bonus hybrid concert from Harrisburg & Scranton, PA 1971 and extensive liner notes & packaging.

Also Available Live at Rainbow Theatre [3LP], Live At Fillmore East, June 1971: 50th Anniversary [3LP]

March 2022, rock icons KISS will release the next installment of their Off The Soundboard official live bootleg series with KISS - Off The Soundboard: Live In Virginia Beach, recorded live at the Virginia Beach Amphitheatre on July 25, 2004.

Off The Soundboard: Live In Virginia Beach finds the legendary band in the midst of their `Rock The Nation' Tour, which is notable for being the first full U.S. tour of the longstanding Paul Stanley, Gene Simmons, Tommy Thayer, and Eric Singer lineup. The career-spanning 20-song set includes classic KISS tracks such as "Lick It Up," "I Love It Loud," and the worldwide smash and No. 11 1979 U.S. Billboard charting "I Was Made For Lovin' You," as well as perennial KISS fan favorites "Makin' Love," "King Of The Night Time World," and "100,000 Years" that dig deep into the band's astonishing 40+ year back catalog.

KISS are globally recognized as one of the greatest live bands of all time and are the creators of what is universally considered the best live album ever, 1975's gold-certified and No. 9 Billboard charting Alive!. The KISS - Off The Soundboard series continues their storied legacy of groundbreaking live albums with a document of the spectacular, larger-than-life extravaganza that is a KISS concert.

KISS OFF THE SOUNDBOARD: LIVE IN VIRGINIA BEACH 3 X LP

The iconic 1971 release gets expanded for its 50th Anniversary. Featuring the original single LP newly remastered with two additional vinyl discs of period-perfect vintage mixes from the Vault. Includes the John Lennon and Yoko Ono encore and the original "Billy The Mountain!" Liner Notes by Vaultmeister Joe Travers. Pressed on 180g vinyl by Optimal:Media in Germany and cut by Chris Bellman at Bernie Grundman Mastering 2021.

Also Available The Mothers 1971 [Super Deluxe Edition 8CD Box Set], Live at Rainbow Theatre [3LP]

The historic and infamous final show of the Flo & Eddie line-up with The Mothers in its entirety. The show was a success until FZ was shockingly pushed off stage by a concert attendee, resulting in grave injuries for FZ causing the cancellation of the tour and ultimately the band. Featuring a brand new 2021 mix & liner notes by Eddie Kramer and mastering by Bernie Grundman. Pressed onto a 3 LP set on 180g by Optimal:Media in Germany.

Also Available The Mothers 1971 [Super Deluxe Edition 8CD Box Set], Live At Fillmore East, June 1971: 50th Anniversary [3LP]