PreOrders

Placebo have unveiled their long-awaited 8th studio album. Nine years on from the release of their last outing Loud Like Love, Never Let Me Go is set for release on March 25^th, 2022.

Asking Alexandria is teaming up for the first time with Better Noise Music for their 7th studio album, See What's On the Inside, out October 1st. Their nearly 2M Spotify followers, 6 Billboard 200 charting albums (3 appearing in the top 10) and past success at radio (singles on last album reached #3 and #7 on US Active Rock) have primed the band for success. With a billion and a half streams and an upcoming fall US tour with A Day To Remember, Asking Alexandria is returning with a revival and a rebirth after spending the winter of 2021 living in the studio, the first time band had spent a period alone together writing and recording in over a decade. The product is the truest album by the band yet.

ARCHITECTS new album captures a historic live stream performance event at the iconic Abbey Road studios: spiritual home to legends like The Beatles and Pink Floyd. Dubbed For Those That Wish To Exist at Abbey Road, the album features a reimagined orchestral version of their masterpiece album For Those That Wish To Exist, backed by their friends in the Parallax Orchestra, the well-respected UK based orchestra made up of some of England’s best and most versatile classical musicians, arranged and written by Simon Dobson, Parallax Orchestra’s conductor and a three times British Composer award (BASCA) winner for his compositions.

Vocalist Sam Carter speaks to the cultural importance of Abbey Road Studios, “It’s such an important part of music in not only the U.K. but all across the world. Some of the biggest and most important records of all time were recorded there. It’s such a joy to even be allowed into the building, let alone to record there. It’s a very special place; I still can’t quite believe we were able to create there.”

This June marked the ten year anniversary of the worldwide release of Bon Iver’s highly acclaimed sophomore release Bon Iver, Bon Iver. To commemorate the occasion, the band and Jagjaguwar will release a limited edition reissue of the influential album - Bon Iver, Bon Iver (10th Anniversary Edition) - on CD and LP on January 14, 2022. This edition features five songs from Bon Iver’s beautiful AIR Studios session, which captures the grand spirit of Bon Iver, Bon Iver and distills it into sharper focus, as Justin Vernon and Sean Carey perform the songs as a duo, on grand pianos and vocals only. These versions will be available in physical formats and across DSPs for the first time.
 
The physical release of Bon Iver, Bon Iver (10th Anniversary Edition) features a blind embossed version of the original cover art and an intimate personal essay from long-time fan Phoebe Bridgers recalling how the “massive, sprawling, unbelievably complex” album brings about both yearning for yesterday, contentment for the present, and collective hope for the future. The album’s iconic cover art has been reimagined to a minimal white-on-white, with a white LP to match

LABYRINTHITIS brims with mystic and intoxicating terrain, the threads of Dan Bejar’s notes woven through by allusions at once eerily familiar and intimately perplexing. The record circuitously draws ever inward, each turn offering giddy surprise, anxious esoterica, and thumping emotionality at equal odds. “Do you remember the mythic beast?” Bejar asks at the outset of “Tintoretto, It’s for You,” the album’s first single, casting torchlight over the labyrinth’s corridors. Delivered in a Marlene Dietrich smolder, Bejar’s lyrical menace seeps like smoke through the brazen march’s woozy synths and dizzied guitar. “There’s some character here that feels new to me, a low drawl, an evening gown draped over a piano,” Bejar says of the song. Throughout, LABYRINTHITIS insists that everything’s not all right, but that even isolation and dissolution can be a source of joy—stepping into the sunlight at the other end of the maze in your ear, Bejar strolling alongside like a wildmaned,
leisure-suited minotaur.

More than an arcane puzzle for the listener, LABYRINTHITIS warps and winds through unfamiliar territory for Bejar as well. Written largely in 2020 and recorded the following spring, the album most often finds Bejar and frequent collaborator John Collins seeking the mythic artifacts buried somewhere under the dance floor, from the glitzy spiral of “It Takes a Thief ” to the Books-ian collage bliss of the title track. Initial song ideas ventured forth from disco, Art of Noise, and New Order, Bejar and Collins championing the over-the-top madcappery. “John is in his 50s, and I’m almost there, but we used to go to clubs,” Bejar laughs. “Our version may have been punk clubs, but our touchstones for the album were more true to disco.”

Bejar and Collins conducted their questing in the height of isolation, Collins on the remote Galiano Island and Bejar in nearby Vancouver, sending ideas back and forth when restrictions didn’t allow them to meet. “From the vocal manipulation to the layered electronics, making this record pushed us to a new place, and reaching that place felt stressful,” Bejar recalls. “But I trust that that stress is a good feeling.” That cuddly anxiety excels in tracks like “Eat the Wine, Drink the Bread.”

Lyrically, LABYRINTHITIS embraces a widescreen maximalism, blocks of text dotted with subversions and hedges. Building from the koans of Have We Met, Bejar continues to carve his words precisely, toying with expectations and staid symbols, while Collins’ production reconstructs the pieces into a unified whole. “Even though everyone recorded in their own isolated corners, this is the most band record that we’ve done in the last few years,” Bejar says. “Everything’s manipulated, but the band is really present, and our plans wound up betrayed by what the tracks wanted. I’ve written 300, 400 songs in my adult life—I don’t know how to do anything else—but this album feels like a breakthrough into new territory.”

That unprepared synchronicity and mutual discovery shines on “June,” a six-and-a-halfminute track that features a blend of funk bass, fluttering synth, and charred poetry recitation. While Bejar initially envisioned LABYRINTHITIS as a straight dance record (“just like Donna Summer’s greatest hits”), the end of “June” explodes that simplicity into a million shining pieces, finding joy in mutual discovery instead of isolated certainty. LABYRINTHITIS closes on “The Last Song,” Bejar singing and strumming all alone, a gentle yet no more settled exodus out of the fractured dance party. “I try and sneak in sweet moments where I can,” Bejar laughs. As LABYRINTHITIS closes, the reorienting vertigo lingers, its implacable aura and bewitching lyrics wriggling ever deeper into the mind.

Dig deep enough inside yourself - start treating your body as your sanctuary rather than your enemy - and eventually you'll find yourself blooming right back out into the sun. That's the transformation Guerilla Toss trace on their newest album Famously Alive, their effervescent Sub Pop debut. After a decade sprinkling glitter into grit, building a reputation as one of the most ferociously creative art-rock groups working, the upstate New York band have eased fully into their light. This is Guerilla Toss at their most luminescent - awake, alive, and extending an open invitation to anyone who wants to soak it all up beside them.Singer and lyricist Kassie Carlson, multi-instrumentalist Peter Negroponte and guitarist Arian Shafiee wrote Famously Alive at home in the Catskills during the pervading quiet of the pandemic year. The uncertainty of COVID-19 lockdowns and the total disruption of routine forced Carlson to negotiate with herself in new and challenging ways. "You have to be with yourself all the time during the pandemic," she says. "I had to figure out a way to manage my anxiety. The pandemic was hard, but it helped me get comfortable inside my own body. My peace of mind came out of being thrust into the deepest shit. This album is all about being happy, being alive, and strength. It's meant to inspire people."The album's title derives from a poem written by a close friend of the band, Jonny Tatelman, who supported Carlson through the early stages of her recovery from opiate addiction. The poem comprises the entirety of the lyrics to the title track, an exuberant ode to loving your own survival and charting a course into unconditional self-acceptance. "The song 'Famously Alive' is about living with purpose and excitement whether you're famous or not, accepting your strangeness and thriving even if your successes look different than other people's," notes Carlson. Negroponte adds. "I also like to think of it as a way to describe living through something traumatic and coming out of it a stronger, wiser person."Throughout the record, Guerilla Toss meet themselves with curiosity, generosity, and acceptance even for the harder parts of being alive. Together with guitarist Arian Shafiee, Carlson and Negroponte cultivated a sound that spliced together psychedelic texturing and Krautrock syncopation with the gloss and glow of contemporary pop music. Carlson's voice, it's range now broadened by a recent venture into formal training, puts playful, searching vocal melodies and lyrics about reaching for yourself and holding fast in your own love atop ripples of Auto-Tune. Famously Alive finds Guerilla Toss coming into the fullness of their power, celebrating their prismatic idiosyncrasies from a place of optimism and abundance. It is a joyous album, equal parts bizarre, accessible, and fun.

When Leslie West passed away in December of 2020, he left behind a towering legacy of epic recordings that few rock guitarists can match. But there was more to West than great songs (although, to be sure, he created a ton of them); there was his brilliant, idiosyncratic sound, a gargantuan earth-mover that razed arenas and stadiums across the globe. More than just paralyzing tone, though, he also had a touch nobody could beat. Stinging, swooning and sensual melodies leapt from his fingertips - with a deft flick of his wrist, he sounded like a Delta bluesman had picked up a violin. These elements and more helped to make West one of the most significant, influential and irreplaceable guitarists of the rock era.Originally, the album was intended to be a retrospective celebration of West's music on which the guitarist himself would perform some of his best-loved cuts with notable guests, along with a collection of new tracks. Two weeks before recording was set to commence, however, the guitarist passed away. While grieving the loss of her husband, Jenni was comforted by the constant stream of phone calls from famous musicians who expressed their condolences, and without fail, each one said the same thing: "If you do any kind of tribute to Leslie, please let me know."An astonishing array of West's admirers - who also happened to be friends and peers - came together to celebrate the trailblazing musician on the aptly titled 'Legacy: A Tribute to Leslie West'. Executive produced by Jenni West, Bob Ringe and John Lappen, the album features dizzying, heartfelt performances by Slash, Zakk Wylde, Dee Snider, Bachman & Bachman, Martin Barre, Joe Lynn Turner, Charlie Starr, Elliot Easton, Robbie Krieger, Mike Portnoy, Eddie Ojeda, George Lynch, Marty Friedman, Steve Morse and Yngwie Malmsteen, among others. Each track on it's own is a corker, but taken together the 12 cuts on 'Legacy: A Tribute to Leslie West' are a stunning and heartfelt testament to the true impact the guitarist had on musicians of all stripes, and as such, it's essential listening for both longtime fans and newbies. 'Legacy: A Tribute to Leslie West' is available everywhere March 25th, 2022 through Provogue Records.

Double vinyl LP pressing. Liquid Tension Experiment is the self-titled first studio album by the band Liquid Tension Experiment, originally released in 1998. The band featured guitarist John Petrucci and drummer Mike Portnoy, at the time both of Dream Theater; bassist Tony Levin; and keyboardist Jordan Rudess, who would go on to join Dream Theater in 1999.

Theon Cross is at the forefront of the thriving London jazz scene, with the gifted musician and composer expanding the sonic possibilities of tuba playing. Today, Cross - a core member of Mercury Prize-nominated outfit Sons Of Kemet - announces his new solo album, Intra-I (meaning "Within Self"), due October 29th on New Soil / Marathon. Cross also shares his bass-heavy latest single "The Spiral" featuring Afronaut Zu and Ahnanse', and the accompanying video. It follows his previous single, "We Go Again," and both tracks are included on his forthcoming album. Intra-I is an uplifting celebration of Black music, synthesizing the diversity of his musical art and experience to deliver an essential message to a world gripped by tribulation. Across ten sonically divergent and bass-rich tracks, Intra-I explores themes of self-reliance, origins, identity and more. An exploratory and upful celebration of Afro-Diaspora Music, the album features songs that examine self-development, the importance of history and heritage and the strength in adversity shown by the first generations of post-war Caribbean immigrants to the UK. In addition to being entirely made from sounds taken from the tuba, it is his first music to feature guest vocalists adding a whole other dimension to his music: the album features Remi Graves, Shumba Maasai, Consensus and Oren Marshall, as well as Afronaut Zu and Ahnansé on "The Spiral."

The mind-blowing 1998 debut album from the instrumental project that takes 3 parts Dream Theater (guitarist John Petrucci, drummer Mike Portnoy, keyboardist Jordan Rudess), 1 part King Crimson (bassist Tony Levin) and combines them to perfection!This album, as well as it's successor, LTE 2, has become legendary among prog rock/jazz fusion enthusiasts, featuring groundbreaking improvisations, insanely technical playing and truly mesmerizing production!Limited edition audiophile pressing on 180 GRAM BLACK vinyl!

Single LP on black vinyl in gloss-coated gatefold jacket. Full album download included.

Electricity is the fourth and most progressive album from Ibibio Sound Machine, and like all good Afrofuturist stories, it begins with an existential crisis. "It's darker than anything we've done previously," says Eno Williams, the group's singer. "That's because it grew out of the turbulence of the past year. It inhabits an edgier world." Electricity was produced by the Grammy Award- and Mercury Prize-nominated British synthpop group Hot Chip, a collaboration born out of mutual admiration watching each other on festival stages, as well as a shared love of Francis Bebey and Giorgio Moroder. The fruits of their labor reveal a gleaming, supercharged, Afrofuturist blinder. Electricity is the first album Ibibio Sound Machine have made with external producers since the group's formation in London in 2013 by Williams and saxophonist Max Grunhard. True, 2017's Uyai featured mixdown guests including Dan Leavers, aka Danalogue, the keyboard jedi in future-jazz trio The Comet Is Coming, but Hot Chip and Ibibio Sound Machine worked together more deeply throughout the process, collaborating fully. Along the way, the team conjured a kaleidoscope of delights that include resonances of Jonzun Crew, Grace Jones, William Onyeabor, Tom Tom Club, Kae Tempest, Keith LeBlanc, The J.B.'s, Jon Hassell's "Fourth World," and Bootsy Collins.

Survivors is the 1st studio album by British heavy metal band Samson. It was released in 1979 and, although vocalist Bruce Dickinson appears as a band member on the cover sheet, the album was completed before he joined the band, with guitarist Paul Samson on vocals. This reissue has been mastered from the original recording. Deluxe packaging includes: OBI strip, Single jacket with one pocket, printed inner sleeve and Milkly clear translucent color vinyl with original record labels.

Never released on vinyl in the US before, "A Predator's Portrait" is the third record from Sweden's Soilwork. Originally released in 2001 "A Predator's Portrait" was fundamental in defining the sound of the second wave of melodic death metal. Includes album cover poster in package!

Releasing music for over 40 years Accept not only helped launch the genre that became known as metal but contributed staples like "Balls to the Wall", "Metal Heart", and more. "Too Mean to Die" is the band's 16th album and their fifth featuring US vocalist Mark Tornillo

A band's fame can be measured in the sum of myths, legends and stories which are conjured up in their wake. In which case, Faust have been playing in the Champions League for quite some time. Few bands have been as innovative, influential or as irrepressible as Faust - the way they revolutionized the history of music in the space of just four years puts them right up there with The Velvet Underground. What began in a Hamburg (Sternschanze) bunker in 1970 would send shockwaves around the world. This box is the first virtually complete collection of Faust works from the years 1971-1974. In addition to their eponymous debut album, it includes the 1972 album So Far, the legendary 1973 Virgin UK release The Faust Tapes, Faust IV and, for the first time ever, the mythical, so-called "Munich album" Punkt, which Faust recorded at Giorgio Moroder's Musicland Studios in 1974. For one reason or another, this last album never saw the light of day - until now. The bonus albums Momentaufnahme I and Momentaufnahme II also feature unreleased material, simultaneously affording us a fascinating glimpse of Faust's creativity in their Wümme studio phase. Two 7-inch singles round off the Faust 1971-1974 compendium: "Lieber Herr Deutschland" is the demo recording they sent to Polydor in 1971, remarkably triggering a contract offer from the label who had something of a conservative reputation at the time. The track later resurfaced as the B-side to their single "Baby", a song which had been rejected by the aforementioned label. The second 7-inch single in the box is a rerelease of "So Far," the first Faust single on Polydor, originally issued in 1972. Mastered from the original tapes.

Anais' first solo studio album in over a decade will be released January 28th 2022. The self-titled album was produced by Josh Kaufman (of Bonny Light Horseman) and it features other core players including Michael Lewis, JT Bates, Thomas Bartlett and Aaron Dessner.

Like only the most gifted storytellers, Matisyahu spins the rare kind of stories that simultaneously enlighten and enthral and expand the audience’s sense of possibility. On his eponymous new album, the Grammy Award-nominated singer/songwriter/rapper shares his most autobiographical work to date, merging that personal revelation with a shapeshifting collision of reggae and hip-hop and boldly inventive pop. Produced by Salt Cathedral (a Brooklyn-based duo comprised of Colombian musicians Juliana Ronderos and Nicolas Losada), the result is an undeniably transformative album, one that invites both intense introspection and unbridled celebration.

Single LP on yellow & black splatter color vinyl in same packaging as standard edition. Full album download included. Ltd edition. Indie only.

Electricity is the fourth and most progressive album from Ibibio Sound Machine, and like all good Afrofuturist stories, it begins with an existential crisis. "It's darker than anything we've done previously," says Eno Williams, the group's singer. "That's because it grew out of the turbulence of the past year. It inhabits an edgier world." Electricity was produced by the Grammy Award- and Mercury Prize-nominated British synthpop group Hot Chip, a collaboration born out of mutual admiration watching each other on festival stages, as well as a shared love of Francis Bebey and Giorgio Moroder. The fruits of their labor reveal a gleaming, supercharged, Afrofuturist blinder. Electricity is the first album Ibibio Sound Machine have made with external producers since the group's formation in London in 2013 by Williams and saxophonist Max Grunhard. True, 2017's Uyai featured mixdown guests including Dan Leavers, aka Danalogue, the keyboard jedi in future-jazz trio The Comet Is Coming, but Hot Chip and Ibibio Sound Machine worked together more deeply throughout the process, collaborating fully. Along the way, the team conjured a kaleidoscope of delights that include resonances of Jonzun Crew, Grace Jones, William Onyeabor, Tom Tom Club, Kae Tempest, Keith LeBlanc, The J.B.'s, Jon Hassell's "Fourth World," and Bootsy Collins.

Limited white vinyl LP pressing. 2022 release, the fifth album from the singer/songwriter.

GAUNTLET RULE WAS FORMED IN 2019 BY GUITARIST ROGGA JOHANSSON (PAGANIZER, MASSACRE) AND BASSIST PETER SVENSSON (ASSASSIN'S BLADE, VOID MOON) WITH THE INTENT OF CREATING TIMELESS HEAVY METAL. THE LINE UP WAS COMPLETED BY VOCALIST TEDDY MÖLLER (LOCH VOSTOK). Despite of, or maybe because of, the style of Gauntlet Rule being a huge departure from the styles of Johansson's and Möller's main bands, the band manages to create an original sounding record yet maintain all the trademarks of classic metal. The songs range from speed metal to almost doom metal, but the focus on fist-pumping heavy metal is never let go. The foundation of the songs is the unrelenting riffing of the riffmaster Johansson, backed by the tight and sometimes adventurous rhythm section of Svensson and guest drummer Lars Demoké. The massive vocals of Möller set the tone for the journey through the landscapes of "The Plague Court". Lyrical themes include horror stories, war, internal struggles, and supernatural concepts;sometimes several of the themes in one song. The album also features the excellent vocal talents of two guest vocalists. Blaze Bayley (ex-Iron Maiden) lends his world class pipes to the track "Dying for My Dreams", to which he also contributed additional vocal arrangements and lyrical adjustments. Blaze comments: "I really enjoyed working on this song, a great time working on the guest vocal. I wish the guys every success with the release". The other guest vocalist in the album is is Lorraine Gill from cult US Metal band Taist Of Iron. She adds her haunting yet powerful vocals to the track "A Choir of Angels". "It was an absolute pleasure to work on this project, and I felt honored to be asked to do so", she declares. "The music and lyrics are absolutely top notch and I was blown away by the whole collection! The music stands alone. Not like anything I've heard recently!"

Some things take time to happen, some things perhaps take a bit longer than they should but, finally, we are delighted to present an issue of the iconic, and sought-after, Brazilian album 'Alucinolândia' by Zito Righi E Seu Conjunto from 1969. The trippy, surrealist 60s cover design with hands holding eyeballs is somewhat confusing. Rather than the stoner acid rock record that the art may suggest, 'Alucinolândia' is actually a quintessential 60s gem, mixing samba, MPB, bossa nova, quirky organ-led mod-jazz groovers and easy-listening crooners with a relaxed cool swagger. Zito Righi aka Isidoro Righi, the Brazilian saxophonist, instrumentalist, conductor and composer brought together an illustrious cast for this masterpiece, including the much-loved vocalist Sônia Santos. Sônia delivers a masterclass on the album's opener, and maybe it's crown-jewel 'Poema Ritmico Do Malandro'. The song is fierce and driving with an enticing funk intro that bursts into a Samba / Batucada workout. A real monster that works magic on the dancefloor. Sônia would later re-visit this track in 1971 on a recording for Copacabana Records, which Mr Bongo released as part of the Brazil45 series. The Brazilian songwriter Roberval penned three tracks on the record, including another highlight and the far too short 'Birimbau'; a catchy Brazilian jazzy-samba dancer at it's finest. Other musicians include the drummer Fernando who also recorded with the greats Dila & Guilherme Coutinho.The fact the record was released in 1969 meant it was probably a bit out of step with it's contemporaries in comparison to the works of artists such as Os Mutantes, Gilberto Gil et al. The core of 'Alucinolândia' is that of a more optimistic early to mid-sixties party feelgood vibe rather than the angsty, psychedelia, and rebellion of the Tropicália movement. Over 50 years since it's release, the work can finally be judged on it's own merit; and what a beauty it is.

Shpongle came to light 26 years ago, emerging from the burgeoning dance music scene. Are you Shpongled? contains 7 tracks of epic audio adventure. Across the globe, both seasoned aficionados and new sonic surfers alike take delight in the original worlds of sound explored by these visionary pioneers on their debut album which still takes a place of pride in many collections

After 30 years living in the US, between Las Vegas and Los Angeles, Matt Goss has decided it's time to return home to London. Goss' new solo album "The Beautiful Unknown" will launch an exciting new solo chapter in the British pop music legend's career, following a resurgence of recognition off the back of 2018's BAFTA winning documentary After The Screaming Stops.As one half of BROS, the global chart-topping, cultural pop phenomenon, Matt has amassed 16+ million album sales, with debut album Push going 4x Platinum in the UK as well as hitting #1 in 22 countries. The younger of the BROS siblings, Matt Goss is officially the youngest artist to sell out and headline Wembley Stadium, as well as a joint world record holder for selling out two nights at London's O2 Arena in just seven seconds.Matt Goss is a true internationally recognized performing icon, with Las Vegas residences at the world renowned Caesar's Palace and The Mirage hotels.

Laced Records and Capcom team up once again to bring fans Resident Evil? soundtracks on audiophile-quality vinyl. Pre-orders are now open for the Resident Evil? 4 soundtrack on four LPs, featuring remastered audio from the 2005 Nintendo GameCube? title, and brand new vinyl sleeve artwork by Boris Moncel. Resident Evil 4 fundamentally changed the survival horror series by injecting action gameplay moving to a more action-packed over-the-shoulder camera. The gaming world continues to celebrate it as one of the most tightly designed and inventive video games ever made ? a true classic that inspired many other games across several genres. For the music score, composers Shusaku Uchiyama and Misao Senbongi ratcheted up the tension with layers of unsettling electronic sounds and percussion loops; and also created fan favourite tracks ?Serenity? and ?Save Theme? suffused with anxious, atmospheric synths.

Chick Corea attained iconic status in music. The late keyboardist, composer and bandleader was a DownBeat Hall of Famer and NEA Jazz Master, as well as one of the most nominated artists in GRAMMY Awards history with 68 nods - and 24 wins, in addition to 4 Latin GRAMMYS. From straight-ahead to avant-garde, bebop to jazz-rock fusion, children's songs to chamber and symphonic works, Chick touched an astonishing number of musical bases in his career after playing with the genre-shattering bands of Miles Davis in the late '60s and early '70s.

The latest addition to Chick Corea's remarkable discography is Chick Corea Akoustic Band LIVE, the long-anticipated reunion of his beloved Akoustic Band with bassist John Patitucci and drummer Dave Weckl, together as a trio for the first time in more than two decades. Under any circumstances, these thrilling live recordings would be a welcome addition to Corea's prodigious discography. With the news of his passing still so fresh in listeners' minds, its release comes as an opportunity for fans to bid farewell while cherishing the communal energy and playful vigor that made the pianist a favorite of jazz lovers around the world for nearly 60 years. Chick Corea Akoustic Band LIVE, the 2-CD/3-LP set was recorded January 13, 2018 at SPC Music Hall in St. Petersburg, Florida. Due out November 5, 2021 via Concord Jazz, the trio's intricate interplay and highwire jousting reflects more than 30 years of collaboration between Corea's Akoustic and Elektric Bands and serves as a celebratory reminder of Corea's singular genius, with more than two hours of inspired playing and spirited camaraderie.

CHICK COREA AKOUSTIC BAND - LiVE

Originally released in 2010, Nouvelle Vague's Best Of was released for the first time on vinyl.With the most emblematic titles of his career: In a Manner of Speaking, Just Can't Get Enough, Love Will Tear Us Apart, Teenage Kicks, Too Drunk Too Fuck, etc.15 titles including 3 featuring prestige, in duet with Mélanie Pain: Martin Gore of Depeche Mode (Master & Servant), and Ian MC Culloch (Echo & The Bunnymen), Terry Hall (The Specials) in duet with Marina Celeste.

SEGA and Laced Records have formed a pact to present the music of Yakuza 0 (Ryu ga Gotoku Zero: Chikai No Basho) on vinyl. The 6LP box set features 90 tracks including fan-favorite karaoke numbers '24-hour Cinderella' and 'Bakamitai.' All music has been specially remastered for vinyl and will be pressed onto audiophile-quality, heavyweight 180g LPs. These come in printed sleeves, all housed in a rigid board box.

On in february, Isik Kural works like a photographer of sound, documenting the passing and returning of time as if material snapshots of life's temporality. Across the album's twelve songs, each composed from chance loops and cocooned within the soft container of Isik's memorable voice and melody play, time is held on to hopefully, impossibly, eternally.Born in Istanbul, Isik studied music engineering at the University of Miami, alighted in New York City, and eventually settled in Glasgow, immersing in a sound design masters and audiovisual practice. While these paths guided him between different projects and cities, a voice was simultaneously growing inside the artist, informed by a vision of the world in it's everyday luminosity. This voice was expressed in the lyrical and instrumental waves of 2019's As Flurries, a cassette collection for Italian label Almost Halloween Records.It was during a brief trip home to Istanbul in 2019 that the invisible details of in february were first exposed. While assisting on a session at his old haunt Babajim Recording Studios, Isik happened upon a beautiful piano, the kind "in which you hear a melody with the touch of a single note." A looped segment from a recording of improvised tinkering on the instrument formed the basis "pillow of a thought, " which christens Isik's new album. A bed for a passing notion, image, moment. Adopting this novel way of working, Isik produced another twelve passages made from loops of unexpected recordings, nothing over three minutes. Eschewing both compositional plans and live performance proclivities, which had informed previous creative explorations, Isik sought a more instantaneous effect. Minute nylon string refrains, lilting synthesizer hums, and a scrap of a chamber recital are collaged with sympathetic verse and synesthetic details captured around Glasgow and activated at Green Door Studios. Literary images also accompany the sensory of in february, weaving wanderlust symbolism through these spiraling studio and field documents. At the center of the album, "lo si aspetta" and "che si aspetta, " are titled after a telling line from Pier Paolo Pasolini's The Long Road of Sand. Other word works are yoked to this promise. A verse by Turkish poet Gulten Akin, which connects the weather to lost friendship, meets a translation of Sophokles by Anne Carson in "yeniden, " one of three collaborations with vocalist Stephanie Roxanne Ward, pka spefy, on in february.Isik treads lightly between the streams of poetry, sound and photography across in february, together impressing an imagistic lightness and immediacy. Although quick as the blink of a camera's eye or the brush of two hands in passing, the brevity of these works should not be taken for granted: they whisper into each other with elaborate detail, intuitively papered over old and new stories of love and longing. Isik Kural's in february will be released on October 15, 2021 on vinyl, cassette, compact disc, and digital formats. On behalf of Isik, a portion of the proceeds from this release will benefit Turkiye Egitim Gonulluleri Vakfi, an organization that creates and conducts workshops, educational training programs and after school programs for children across Turkey.

Black vinyl edition of "Gallery of Life", the debut album from the melodic power metal band Within Silence, originally released in 2015. Limited to 200 copies worldwide. "Gallery of Life" is a perfect album for fans of bands like Sonata Arctica, Stratovarius and Theocracy and fans of melodic metal in general.Artwork by Jan Yrlund (Delain, Apocalyptica, Korpiklaani).

Vinyl LP pressing. 2022 release. Fickle Friends are an English indie pop band from Brighton, East Sussex, England. Natti met Sam at Liverpool Institute Of Performing Arts and met Harry and Jack the following year in BIMM Brighton. After two years touring the UK and Europe without a label or publisher and playing 53 festivals across 2 years, Fickle Friends signed to Polydor Records. The band recorded their debut album in Los Angeles with Mike Crossey and it was released on 16 March 2018 entering the UK Albums Chart at No. 9. Whilst the band have only released one studio album since they formed they have released an incredible 25 singles / EPs. Meanwhile the band gear up for the release of the second album titled Are We Gonna Be Alright? The first single is the exhilarating Prince-esque guitar and vocal stormer "Love You To Death."

To celebrate Laced Records' fifth anniversary, and also to mark five years since DOOM ripped & tore up people's expectations of the series, we present two new variants of the quadruple vinyl box set.This 5th Anniversary Standard Edition features traditional black LPs. All music has been specially mastered for vinyl by Joe Caithness and will be pressed onto audiophile-quality, heavyweight 180g discs.The set features 31 tracks composed and sequenced by sonic cyberdemon Mick Gordon. The soundtrack won "Best Music" at The Game Awards 2016, and has continued to gain plaudits as one of the most distinct and innovative scores ever created for a video game.

Limited vinyl LP pressing in totally redesigned sleeve, more in keeping with Duglas' original vision.. BMX Bandit's Life Goes On returning to Vinyl, some 29 years after it's original release. Featuring the smash hit singles "Serious Drugs" and "Kylie's Got A Crush On Us" - Life Goes On, was originally released on Creation records.